用英文寫一篇科幻小說

A. 誰能幫我寫一篇概括關於科幻小說的英語短文，謝謝了！

愛洋蔥雙語閱讀平台上有《80天環游世界 》、《地下城》、《神秘島》 、《從地球到月球》 、《時光機器》都是比較好看的科幻小說，而且都是中英文對照的，希望對你有幫助。

B. 用英語寫一篇阿西莫夫生平簡介

艾薩克·阿西莫夫，當代美國最著名的科普作家、科幻小說家、世界頂尖級科幻小說作家，他也是位文學評論家，美國科幻小說黃金時代的代表人物之一。他一生高產，著述頗豐，一生著述近500本，其中有100多部科幻小說，早已遠遠超過了「著作等身」的地步。是20世紀最頂尖的科幻小說家之一。曾獲代表科幻界最高榮譽的雨果獎和星雲終身成就「大師獎」。以他的名字為號召的「阿西莫夫科幻雜志」，是美國當今數一數二的科幻文學重鎮。 艾薩克·阿西莫夫（Isaac Asimov，1920年1月2日－1992年4月6日）是出生於俄羅斯的美國猶太人作家 與生物化學教授，門 薩學會會員，他創作力豐沛，產量驚人，作品以科幻小說和科普叢書最為人稱道。美國科幻小說黃金時代的代表人物之一。 阿西莫夫一生創作和編輯過的書籍超過500冊，據估計他至少寫過9000封的信函和明信片，著作 類別除了哲學類以外，幾乎涵蓋整個「杜威 十進制圖書分類法」。阿西莫夫是公認的科幻大師，與儒勒·凡爾納、H·G·威爾斯並稱為科幻歷史上的三 巨頭，同時還與羅伯特·海因萊因、亞瑟·克拉克並列為科幻小說的三巨頭。阿西莫夫的作品中，以「基地系列」最為人稱道，其它的主要著作還有「銀河帝國三部曲」和「機器人系列」， 三大系列最後在「基地系列」的架空宇宙中合歸一統，被譽為「科幻聖經」。阿西莫夫筆下產出不少短篇小說，其中〈夜歸〉（Nightfall）曾獲美國科幻作家協會（Science Fiction Writers of America）票選為1964年前的最佳短篇小說。他也寫推理小說和奇幻小說，以及大量的非文學類作品，並曾用筆名保羅·法蘭西（Paul French）為青少年撰寫科幻小說「幸運之星系列」。 阿西莫夫治學有方，他的科普著作多以史學 手法闡述科學概念，盡可能細數從頭，理性分析科學脈絡。提及某個科學家時，也會一並附上詳細的背景資料，諸 如國籍、出生日期和死亡日期，並以語源學和發音方式介紹科技名詞。這些特點在他的《科學指南》（Guide to Science）、三大卷的《認識物理學》（Understanding Physics）和《阿西莫夫的科學探索史綱》（Asimov;sChronology of Science and Discovery）里處處可見。 阿西莫夫參與門薩學會多年，後來有點不甘願的被任選為副會長，他說這個學會的會員都「好逞能鬥智」，相較之下，他更樂意擔任美國人道協會（American Humanist Association）的會長。小行星「5020 Asimov」、《阿西莫夫科幻小說》雜志和兩項艾西莫夫獎都是以他的名字命名。

C. 世界上最短的科幻小說的英文版

美國近代著名科幻小說家弗里蒂克·布朗曾寫過一篇世界上最短的科幻小說。僅僅只有一句話:"地球上最後一個人獨自坐在房間里,這時,忽然響起了敲門聲……"

D. 有沒有自己寫的短篇英語科幻小說不要翻譯別人的！懸賞啊！

Science fiction story
AD 3,000
A group of scientists(including me) went to the bottom of the sea,some aliens are living there,they may cause a world war because they can take control of water.This time,we want to talk with them.
With the help of the sea-spaceship,we got the destination easily.To my surprise,this is a wonderful undersea world,beautiful fishes,and green coral reef which can make people feel great.
We didn't forget why we came here,but we saw no alien.Suddenly a huge screen was presented before us.It was playing a tsunami around India,and some wars around the world.Yes,this is our true life,I realized something,and turned around,a alien was looking us.Then,it began to say,"Human beings,you've made a lot trouble to the earth,e.g. The wars,the pollution,the experiment,etc.Now,we use the water to give you a tsunami,this is only a lesson for you.If you do this continuously,you will be punished!"
We were back to the ground,everything seemed peaceful,we knew what we should do.

The gone with the fire

the beginning

『don『t touch my salad!black-spirit!『John said with a loud voice.

『If you call me black-spirit again，white-monkey!I promise....『

『promise what?killing me?attention that we are thousands kilometres from the earth!『john said，and taking the salad to his side.Then continue his speech，『You know there are only two human in this space-ship-----you and me.So you『d better not do some foolish things.『Then john turn his eyesight to his bread，which covered a lot of salad again.

Though he is very angry，bob could do nothing but sustain.He really doesn『t understand why john hit him only because his skin ，which is black.Bob continue eating his lunch ，chinese rice，too.

『This is the centre of the space-technology on ground，received?Maya?『The voice came from the radio.

『This is maya space-ship，recieved，centre!『John answerd quickly.

『Is there all right?『centre asked.

E. 要寫科幻小說，求人物名字，要英文

cyre hyde凱爾海德，同寫科幻同惡魔握手

F. 求一本英文科幻小說的名字

1.《白色魔力》[美] 勞莉·菲利亞·斯道勒茲
2.《地球殺場》[美] L·羅恩·哈伯德
3.《地球使命：入侵者計劃》[美] L·羅恩·哈伯德
4.《計算中的上帝》[加] 羅伯特·J·索耶
5.《藍色噩夢》[美] 勞莉·菲利亞·斯道勒茲
6.《綠色天使》[美] 愛麗絲·霍夫曼
7.《羅伯特·海因來因短篇小說集》
8.《美麗新世界》[法] 阿道斯·赫胥黎
9.《人格裂變的姑娘》[美] F·R·施賴勃
10.《日本沉沒》[日] 小松左京
11.《宇宙漂流記》[日] 小松左京
12.《星船傘兵》[美] 羅伯特·海因萊因
13.《邪魔女巫》[美] 傑弗里·亨廷頓

G. 請問有大神可以寫一篇關於對科幻小說看法的英語作文

雖然"硬科幻"、"軟科幻"的分法常見諸於許多雜志、網站和愛好者之口，但贊成者內部對"軟硬"的定義也存在爭議;同樣，有許多人拒絕承認這種說法，認為沒有必要去細分科幻小說。
一個典型的混亂案例是《星球大戰》(Star Wars)。起初許多保守的愛好者因為其中"原力"(Force，某種超自然的精神力量)的設定而認為它不屬於科幻，而只能算奇幻小說，或好萊塢太空電影，反正不是科幻;另一些硬科幻小說擁護者認為好萊塢太空電影都是奇幻;而公眾一般直截了當地把它們統統歸為"科幻電影"。
一般認為這類作品嚴格上是應當歸入太空歌劇的范圍，其特點是對於非科幻迷來說，因為其模仿歷史和現實的人物言行，反而有真實的感覺，所以對於公眾來說更為嚴肅。所以阿西莫夫和田中芳樹等著名科幻作家，都因為反過來利用人不知未來卻知道過去，而故意把未來和歷史類比，吸引讀者對未來和太空的嚮往。
特攝或動畫等影像媒體的盛行，使一些人相反地以荷里活太空電影或日本超現實軍事動畫為基準，倒轉來認定，模仿威爾斯強調探索和反思的作品不是科幻。例如認為涼宮春日系列不是科幻，而是借用了科幻詞語的校園戀愛幻想故事，可見科幻的定義是隨時代和地方而變化的。

H. 英文科幻小說

登錄科幻世界雜志社旗下的「天空之城」論壇（bbs.sfw.com.cn），會找到你想要的信息的，而且現在科幻世界正在尋找優秀的譯者加入他們的翻譯團隊。

I. 求一篇1500詞左右的英文科幻小說

Though this is a relatively short collection of stories, the strength of the tales inside it is such that they will leave the reader with flashbacks and images for days afterwards. They did me. In fact, days after reading I still remember vividly parts of its contents.

The fourteen stories included vary in scope, size and length. The book starts strongly with 態est New Horror?/I>, which deals with the premise of Eddie Carroll, a jaded horror story editor who is sent a story so memorable that it jolts him out of his malaise. The problem is that the story, 態uttonboy?/I>, is so horrific that many are sickened by it. Nevertheless, the editor sets off to find the mysterious writer, Peter Kilrue, and the story ends with something not expected. This was a very strong tale ?filmic, for reasons that are best left until you抳e read the story, and references that a fan will get.

Reminiscent in tone of Bradbury and Serling, and another famous author more contemporary, this is a collection marinated in genre and societal references; the societal references help create that feeling of normality in stories that are anything but; the genre references, which though not necessarily important to get to enjoy the stories, add another dimension to their narrative.

Fritz Leiber once pointed out that the scary things are not always gothic castles and ghostly spectres, but the unusual things that are part of our normal everyday world. This is something that Joe has clearly understood here. Part Horror, part 1950抯 SF B-movie, part surreal fantasy, the collection covers a broad range with skill, humour and, hell, an empathy for the genre抯 long history.

There are common themes throughout the book. Most of the stories are interwoven around familial relationships?the bonds between mothers/fathers and their daughters/sons - and peer friendships, between the main character and their friends.

With such a variety of interests, not all of the stories worked for me as well as others. Least successful, though still pretty good, was You Will Hear the Locust Sing, a story with a Bradbury-esque title that clearly highlights a respect for the 1950抯 B-Movies of mutant insects. Though initially amusing, by the end it was a little disappointing. Similarly, The Black Phone was a little creepy, though a weaker effort in such a strong collection. With a Weird Tales type ending that Richard Matheson would be proud of, though strong in feel, this one seemed a little too obvious to me.

My 'weirdness award' goes to My Father抯 Mask, which I抦 not sure I still understand, though it is very unsettling to read. Rather Wicker Man to me.

Having said this, most of the stories are very strong. Most successful to me were Voluntary Committal, (the final novella in the book which sympathetically deals with Nolan Lerner抯 brother, Norris, a boy with Aspberger抯 Syndrome, who has a connection with The Twilight Zone), and in a Tales from the Crypt-type tale, Last Breath, which deals with a visit to a very unusual museum. I also really enjoyed The Cape, a story about Eric抯 particular piece of clothing with a special power (or is it just self-belief?)

There are many stories like that in this book. It is a book that reads with deceptive ease, yet is supremely adept at creating ghosts. To illustrate this, Dead-Wood is a story that, in a page-and-a-half, creates an intriguing 憌hat-if?that is simultaneously beautiful, creepy, and haunting.

All good; but perhaps the biggest surprise to me was the story Pop Art, which deals with the story抯 nameless central character and his relationship with his inflatable schoolfriend, Arthur Roth. (Pop Art, get it?) On first reading, the story reads as allegorical whimsy. It takes a writer of skill, which Hill clearly is, to turn that around so that the end of the story is a powerfully moving one. Forget the practical impossibility here ?Joe makes the reader forget the impracticality to create this story with an ending that is almost painful to read.

To summarise, in this book Hill manages to combine hometown dreams and ambitions with the reality of failure, pathos, horror, humour and B-movie kitsch; all of which is achieved with surprising aplomb and an ease and skill that belies this being just labelled as 'an author抯 first book'.

Let's go further than that. Many other long-published authors would kill to be as good as just one of these stories ?it抯 that good. And one of the best story collections I抳e read in years.

Haunting, resonant, melancholic ?a collection that richly deserves its awards.

Hobbit, October 2006

J. 我想用全英文寫一本英語科幻小說，可以在哪裡出版，有雜志會收這種小說嗎

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