英文介紹科幻小說
同學我通過了上海高級口譯，我的經驗應該還是有參考價值的。所謂「直面高考的英文科幻小說」是沒有這種東西存在的。經典的科幻小說多會提凡爾納的作品，《海底兩萬里》《八十天環游地球》等。另外我不是很懂你讀的是什麼班，一般很少要求看科幻小說的；因為科幻小說專有名詞太多，這些單詞大都又難記使用頻率也低，對高考沒什麼大用處。而且看英文原版小說對英文綜合能力要求很高，像你的水平硬要去看，只會吃力不討好，進步慢且勞心勞力，高二了也耗不起這個時間。我的建議是：你如果需要增加科技方面的詞彙，找這方面的報刊來看，新聞、科普介紹短文都行。還有，我認為最有效的應付高考英文作文的方法是，找一本高考作文範文、模板方面的書（要盡量新一點的和你們現在的題型類似的，不然就白背了）每種文體、每種題材等的範文都下苦功背個一兩篇，高考怎麼考都不怕。這是我的經驗談，希望能幫上忙。
㈡ 要科幻小說英文定義和由來以及科幻小說有關的知識，要英文的！英語版，最好有翻譯~謝謝
The science fiction is defined as a form of modern literature which is intended to predict future of human world and inspire human imagination and novelty of scientists. The War of the Worlds (1898) is a science fiction novel by H. G. Wells. It describes the experiences of an unnamed narrator who travels through the suburbs of London as the Earth is invaded by Martians.It is the earliest story that details a conflict between mankind and an alien race.Jules-Verne may also be deemed as contributinga lot to this writing style.The great popularity of this writing style arose from The Instrial Revolution , which is characteristic of the exploration of unknown world .
科幻小說是當代文學的一種新形式,旨在預測人類的未來,激發人類想像和科學家的創造精神.1898年的"地球大戰"是威爾斯創作的科幻小說,它描述了一位無名氏在倫敦郊區旅行期間偶遇火星來客的故事.這是最早的描述人類與外星物種爆發沖突的小說.儒勒.凡爾納對科幻小說的盛行也貢獻巨大.科幻小說的盛行源自於工業革命,因為正是這場革命提供了人類探索未知世界的動力.
㈢ 求一些中短篇英文原版科幻奇幻小說
我有《趁生命氣息逗留》
和拉瑪系列之二《拉瑪2號》英文原版的要不要？中篇！！
已發，求採納！！
㈣ 求一本英文科幻小說的名字
1.《白色魔力》[美] 勞莉·菲利亞·斯道勒茲
2.《地球殺場》[美] L·羅恩·哈伯德
3.《地球使命：入侵者計劃》[美] L·羅恩·哈伯德
4.《計算中的上帝》[加] 羅伯特·J·索耶
5.《藍色噩夢》[美] 勞莉·菲利亞·斯道勒茲
6.《綠色天使》[美] 愛麗絲·霍夫曼
7.《羅伯特·海因來因短篇小說集》
8.《美麗新世界》[法] 阿道斯·赫胥黎
9.《人格裂變的姑娘》[美] F·R·施賴勃
10.《日本沉沒》[日] 小松左京
11.《宇宙漂流記》[日] 小松左京
12.《星船傘兵》[美] 羅伯特·海因萊因
13.《邪魔女巫》[美] 傑弗里·亨廷頓
㈤ 有哪些好看的英文科幻小說可以推薦
威爾斯這部發表於1898年的科幻小說《世界大戰》，被斯皮爾伯格搬上大熒幕。小說對外星人的外貌特徵進行了直接描寫，這也成了後來20世紀美國科幻小說「黃金時代」的一大特徵。
㈥ 如何用英文介紹科幻
seeing God in his creation, and not only as the Creator. Knowledge and insight could be obtained through intuition. Though the flourish of this trend only lasted about 10 years, the influence of Transcendentalism was pervasive and far-flung; many American writers succeeded Emerson and published their transcendental works: Henry David Thoreau[11] and Margaret Fuller[12]. Examples of the spirit of transcendentalism can be seen continuing into the 20th century. Walt Whitman claimed transcendentalism lid him in the writing of Leaves of Grass; more than likely, Emily Dickinson could have said the same about her poetry. Nathaniel Hawthorne, although never fully accepting the principles of transcendentalism, was profoundly affected by it.
Realism is not a novel term in literature. Early back to Dickens time, many European Realists committed themselves to 「faithful representation of the reality」 and established a great many vivid characters. However, this term was endowed with new meaning in American literature. It encompasses the period of time from the Civil War to the turn of the century ring which William Dean Howells, Rebecca Harding Davis, Henry James, Mark Twain[13], and others wrote fiction devoted to accurate representation and an exploration of American lives in various contexts. As the United States grew rapidly after the Civil War, the increasing rates of democracy and literacy, the rapid growth in instrialism and urbanization, an expanding population base e to immigration, and a relative rise in middle-class affluence provided a fertile literary environment for readers interested in understanding these rapid shifts in culture. It would apprehend in all particulars the connection between the familiar and the extraordinary, and the seen and unseen of human nature[14]. Again, Realism in America developed into a new phase: Naturalism[15]. Despite its clear heritance for Realism, Naturalism is more of a new trend distinctly different. Both Naturalism and Realism excel in truthful descriptions of life, while Naturalism implies a philosophical position that human beings can be studied through their interrelation with surroundings. The motif of Naturalism is human beings instead of incidents. In some sense, Naturalistic novels are more real than Realism, for their descriptions and concerns are more life-like: their settings common and unpleasant, their characters inferior and less heroic. Characters do not have free will; external and internal forces, environment, or heredity control their behavior and pessimism e to the pressure of material society is prevailing. Representatives of this phase are Frank Norris (1870-1902 Moran of the Lady Letty published in 1899); Theodore Dreiser (1971-1945 Sister Carrie in 1900); Jack London (1876-1916 The Call of the Wild in 1903); Stephen Crane (1871-1900 The Red Badge of Courage); Edith Wharton (1862-1937 The House of Mirth in 1905); Ellen Glasgow (1874-1945 Barren Ground in 1925)[16].
With the accrual possibility of global cultural intermingle, modern society is no longer developing in a hermetic environment; modern literature is especially so. When touching upon Modernism, people usually perceive European and American Modernism as a whole. Here we put our focus on the proper characteristics of American Modernism. When Europe was bemisted in world wars, American economy, on the contrary, was developing by leaps and bounds; therefore, instrialization of America was far more complete and downright than European continent. The pressure of highly instrialized society and diversified culture brought by immigrants strengthened people』s zest and determination to break away from the old social norms and an equally enthusiastic search for the real meaning of life. Many new terms suddenly sprout out： 「Lost generation」, 「hippies」, etc. serve as a proclamation of independence from the past traditions. American modernists, as profound and abstruse as their European contemporaries, are undoubtedly more comprehensive and diversified. Writers of this phase created many immortal masterpieces: F. Scott Fitzgerald[17] summarized the experiences and attitudes of the decade in his The Great Gatsby (1926); Ernest Hemingway explored eternal question of life and death in his Farewell to Arms (1929) and The Sun Also Rises (1926); Henry James displayed themes of morality in The Portrait of a Lady (1881). At the same time, literature concerning minorities, American blacks, Judaism, etc. also starts glittering. Literature has entered a diversified age.
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[1] Washington Irving (1783-1859): Early American Novelist, was called 「the Father of American Literature.」 Major works include: The Sketch Book Of Geoffrey Crayon, Gent. (1819-20), Columbus (1828), Alhambra (1832), The Cayon Miscellany (1835)
[2] Fennimore Cooper (1789-1851): Early American novelist, whose best-known tales of frontier adventure include The Last Of The Mohicans (1826), The Pathfinder (1841) and The Deerslayer (1840)
[3] Floruit: n. the period ring which a person, school, or movement was most active or flourishing; 繁盛期
[4] Transcendentalism: n. a philosophy associated with Kant, holding that one must transcend empiricism or what is experienced in order to ascertain the a priori principles of all knowledge. 先驗論與康德有關的一種哲學，認為人必須超越經驗主義或體驗到的東西以探知所有知識的先驗原則; 先驗說, 超越論
[5] Puritanism: n. the practices and doctrines of the Puritans; scrupulous moral rigor, especially hostility to social pleasures and inlgences; 清教徒的習俗和教義; 道德上的極端拘謹
[6] Quaker: n. a member of the Society of Friends; 貴格會教徒教友協會的成員
[7] Unitarianism: n. a Christian group that holds members should be free to believe what they want; 唯一神教派(基督教一派, 認為上帝系單一者, 反對三位一體的說法)的信徒
[8] Deism: n. the belief, based solely on reason; 自然神論, 自然神教派(信上帝之存在及創世界,但對其所創造的世界及世人未加以支配)
[9] See：http://www.csustan.e/english/reuben/pal/chap4/4intro.html
[10] Orthodox: adj. adhering to the accepted or traditional and established faith, especially in religion; 正統的堅持 被接受的或傳統的和業已建立的信念; 東正教的
[11] Henry David Thoreau (1817-1862): American author, major works: Civil Disobedience (1849), Walden (1854), Slavery in Massachusetts (1854)
[12] Margaret Fuller: Early American Essayist and writer. Major works include: The Great Lawsuit. Man versus Men. Woman versus Women.(1843), Summer On the Lakes (1844), Women in the Nineteenth Century (1845)
[13] William Dean Howells (1837-1920): American Dramatist and Novelist, major works: A Selected Edition of W. D. H. (1969); A Modern Instance and The Rise Of Silas Lapham (1875-86); The Minister's Charge, Annie Kilburn (1886-88); Rebecca Harding Davis (1831-1910): American Novelist. Major works: Life in the Iron Mills, Waiting for the Verdict, Rebecca Harding Davis: A Reader. Mark Twain: American novelist and humorist. Major works: The Innocents Abroad (1869), The Adventures of Tom Sawyer (1876), The Prince and the Pauper (1881), Life on the Mississippi (1883), Adventures of Huckleberry Finn (1884), The Mysterious Stranger (1916)
[14] See: http://guweb2.gonzaga.e/faculty/campbell/enl311/realism.htm
[15] Naturalism: n. a literary trend that practice describing precisely the actual circumstances of human life in literature; 一種精確地描述人類現實環境的實踐的文學流派；自然主義
[16] Frank Norris (Moran of the Lady Letty); 弗蘭克·諾里斯《萊蒂夫人號的莫蘭》；Theodore Dreiser (Sister Carrie); 德萊賽《嘉莉妹妹》；Jack London (The Call of the Wild); 傑克·倫敦 《野性的呼喚》；Stephen Crane (The Red Badge of Courage); 斯蒂芬·克萊恩《紅色英勇勛章》；Edith Wharton (The House of Mirth); 華頓《歡樂之家》；Ellen Glasgow (Barren Ground)；埃倫‧格拉斯哥《荒涼地》
[17] F. Scott Fitzgerald (1896-1940) : American novelist. The Great Gatsby：《了不起的蓋茨比》
㈦ 求一篇1500詞左右的英文科幻小說
Though this is a relatively short collection of stories, the strength of the tales inside it is such that they will leave the reader with flashbacks and images for days afterwards. They did me. In fact, days after reading I still remember vividly parts of its contents.
The fourteen stories included vary in scope, size and length. The book starts strongly with 態est New Horror?/I>, which deals with the premise of Eddie Carroll, a jaded horror story editor who is sent a story so memorable that it jolts him out of his malaise. The problem is that the story, 態uttonboy?/I>, is so horrific that many are sickened by it. Nevertheless, the editor sets off to find the mysterious writer, Peter Kilrue, and the story ends with something not expected. This was a very strong tale ?filmic, for reasons that are best left until you抳e read the story, and references that a fan will get.
Reminiscent in tone of Bradbury and Serling, and another famous author more contemporary, this is a collection marinated in genre and societal references; the societal references help create that feeling of normality in stories that are anything but; the genre references, which though not necessarily important to get to enjoy the stories, add another dimension to their narrative.
Fritz Leiber once pointed out that the scary things are not always gothic castles and ghostly spectres, but the unusual things that are part of our normal everyday world. This is something that Joe has clearly understood here. Part Horror, part 1950抯 SF B-movie, part surreal fantasy, the collection covers a broad range with skill, humour and, hell, an empathy for the genre抯 long history.
There are common themes throughout the book. Most of the stories are interwoven around familial relationships?the bonds between mothers/fathers and their daughters/sons - and peer friendships, between the main character and their friends.
With such a variety of interests, not all of the stories worked for me as well as others. Least successful, though still pretty good, was You Will Hear the Locust Sing, a story with a Bradbury-esque title that clearly highlights a respect for the 1950抯 B-Movies of mutant insects. Though initially amusing, by the end it was a little disappointing. Similarly, The Black Phone was a little creepy, though a weaker effort in such a strong collection. With a Weird Tales type ending that Richard Matheson would be proud of, though strong in feel, this one seemed a little too obvious to me.
My 'weirdness award' goes to My Father抯 Mask, which I抦 not sure I still understand, though it is very unsettling to read. Rather Wicker Man to me.
Having said this, most of the stories are very strong. Most successful to me were Voluntary Committal, (the final novella in the book which sympathetically deals with Nolan Lerner抯 brother, Norris, a boy with Aspberger抯 Syndrome, who has a connection with The Twilight Zone), and in a Tales from the Crypt-type tale, Last Breath, which deals with a visit to a very unusual museum. I also really enjoyed The Cape, a story about Eric抯 particular piece of clothing with a special power (or is it just self-belief?)
There are many stories like that in this book. It is a book that reads with deceptive ease, yet is supremely adept at creating ghosts. To illustrate this, Dead-Wood is a story that, in a page-and-a-half, creates an intriguing 憌hat-if?that is simultaneously beautiful, creepy, and haunting.
All good; but perhaps the biggest surprise to me was the story Pop Art, which deals with the story抯 nameless central character and his relationship with his inflatable schoolfriend, Arthur Roth. (Pop Art, get it?) On first reading, the story reads as allegorical whimsy. It takes a writer of skill, which Hill clearly is, to turn that around so that the end of the story is a powerfully moving one. Forget the practical impossibility here ?Joe makes the reader forget the impracticality to create this story with an ending that is almost painful to read.
To summarise, in this book Hill manages to combine hometown dreams and ambitions with the reality of failure, pathos, horror, humour and B-movie kitsch; all of which is achieved with surprising aplomb and an ease and skill that belies this being just labelled as 'an author抯 first book'.
Let's go further than that. Many other long-published authors would kill to be as good as just one of these stories ?it抯 that good. And one of the best story collections I抳e read in years.
Haunting, resonant, melancholic ?a collection that richly deserves its awards.
Hobbit, October 2006
㈧ 英文科幻小說
登錄科幻世界雜志社旗下的「天空之城」論壇（bbs.sfw.com.cn），會找到你想要的信息的，而且現在科幻世界正在尋找優秀的譯者加入他們的翻譯團隊。
㈨ 誰能幫我寫一篇概括關於科幻小說的英語短文，謝謝了！
愛洋蔥雙語閱讀平台上有《80天環游世界 》、《地下城》、《神秘島》 、《從地球到月球》 、《時光機器》都是比較好看的科幻小說，而且都是中英文對照的，希望對你有幫助。
㈩ 急要兩篇英語科幻小說梗概（英文）
A Journey to the Centre of the Earth (French: Voyage au centre de la Terre), also translated as A Journey to the Interior of the Earth, is a classic 1864 science fiction novel by Jules Verne. The story involves a German professor (Otto Lidenbrock in the original French,[1] Professor Von Hardwigg in the most common English translation[2]) who believes there are volcanic tubes going toward the center of the Earth. He, his nephew Axel, and their guide Hans encounter many adventures, including prehistoric animals and natural hazards, eventually coming to the surface again in southern Italy. The living organisms they meet reflect geological time; just as the rock layers become older and older the deeper they travel, the animals become more and more ancient the closer the characters to the center. From a scientific point of view, this story has not aged quite as well as other Verne stories, since most of his ideas about what the interior of the Earth contains have since been proven wrong. However, a redeeming point to the story is Verne's own belief, told within the novel from the viewpoint of a character, that the inside of the Earth does indeed differ from that which the characters encounter. One of Verne's main ideas with his stories was also to ecate the readers, and by placing the different extinct creatures the characters meet in their correct geological era, he is able to show how the world looked a long time ago, stretching from the ice age to the dinosaurs.