最短的科幻小說英文

『壹』 世界上最短的英文科幻小說

就25漢字 自己翻譯下吧

25字科幻小說

美國近代著名科幻小說家弗里蒂克·布朗曾寫過一篇就目前來說，堪為世界上最短的科幻小說。把它譯成現代漢語恰好是25個字，僅僅只有一句話：

地球上最後一個人獨自坐在房間里，這時，忽然響起了敲門聲……

盡管只有一句話，但它同樣具備了小說的特點。就小說的三要素而言，有人物（一個人）、有情節（一個人獨坐，聽到敲門聲）、有環境（僅有一人的地球上的某房間里）。科幻，重在科學幻想，其最為顯著的特徵就是：擅長誇張、製造懸念，給讀者設置自由而廣闊的聯想、想像等思維空間。這25個字促使讀者追究、探求的問題太多了——

地球上怎麼會只剩下一個人？其他人都到哪裡去了？是去往別的星球還是都死了？如果死了是因為什麼而死的？既然地球上僅剩一個人，那麼敲門的又是誰呢？是人類，是外星人，還是其它高智能的動物？這最後一個人是否去開門？開門後將看到什麼？如果是外星人，他們能夠通過語言來溝通彼此的情感嗎？……最後故事又將會怎樣發展？……總之，將會使每個讀者都產生多維而豐富的聯想和想像，有一百個讀者，就會有一百個關於「地球上最後一個人」的故事。

『貳』 世界上最短的科幻小說的英文版

美國近代著名科幻小說家弗里蒂克·布朗曾寫過一篇世界上最短的科幻小說。僅僅只有一句話:"地球上最後一個人獨自坐在房間里,這時,忽然響起了敲門聲……"

『叄』 最短的科幻小說 英文加翻譯

Fredric Brown's "Knock"published in Thrillering Wonder Stories 1948:

"The last man on earth sat alone in a room. There was a knock on the door...."

這就是全文!

『肆』 最短的科幻小說 原文..

地球上最後一個人獨自坐在房間里，這時，忽然響起了敲門聲……

英文原文：The last man on earth sat alone in a room.There was a knock on the door..

『伍』 最短的科幻小說英文是什麼

當年流傳一個世界上最短的科幻小說：
地球上最後一個人坐在房間里.這時響起了敲門聲.....
呵呵，現在應該變變了，世界上最短的科幻小說：超人歸來！
嘿嘿，也許還有更短的：我是神!
還有更短的不？

『陸』 求一些中短篇英文原版科幻奇幻小說

我有《趁生命氣息逗留》

和拉瑪系列之二《拉瑪2號》英文原版的要不要？中篇！！

已發，求採納！！

『柒』 世界上最短的科幻小說續寫

知道有料 提問
世界上最短的科幻小說續寫
我來答 查看全部15個回答

Timqwezxc2012
LV.2 2011-06-10
地球上最後一個人獨自在房間里，這時想起了一陣敲門聲，他立馬關上了燈，面色蒼白，心跳加快，神清慌張地，心想：不是只剩下我一個人了嗎？為什麼還有聲音呢？是誰啊？這時他腦海閃過無數個面目猙獰的妖魔鬼怪的樣子，還想到了許多外星人醜陋的嘴臉，最後又想到會不會是什麼動物的變異啊？心裡七上八下的，手心裡已被汗水打濕了，這時又聽見了敲門聲音，他速度拿起了放在桌子上的棒球棒，邁著小心的步伐，來到了門前，只見他握緊了手中的「武器」,深深地吸了一口氣，兩眼一閉，迅速地打開了門，當它睜眼時，完全被眼前的「人」驚呆了，只見一個身材矮小，面目一新且長著三隻手臂的新生物。從它的眼神中透出善意，只見它說了一大堆嘰嘰喳喳的語言，一句也聽不懂的，這時它見他沒有什麼反應，就打開了在胸前的電腦顯示器，按了幾個按鍵，只見顯示器上清楚地寫著：「朋友，請不要害怕，我是從星際星球來的人，通過擦測儀測測了這里有生命的跡象，我們來幫助你們的，從資料上顯示你們的星球的毀滅，雖然我們不是一個星球上的物種，但是我們是同一世界的，我們必需互相幫助，共同建造新的家園。」只見他放下了手中的「武器」，擦幹了眼中的淚水，積在心中的委屈一下子全部的釋放出來，他趴在「外星人」的身上痛哭起來，他想起了自已美麗的家園的毀滅，想起了自已的親人，想起了同學們————
由於人類社會長年對環境的破壞，又加上環境污染，人們為了自已的利益，亂砍伐樹木，最後導致人類地球的滅亡。
這時「外星人」對著胸前的電腦又操作起來了，顯示器上顯示著對現有地球上的測試，可以在最短時間內讓地球復甦的辦法，我連忙接過它們的數據顯示，我要在最短的時間內讓我們的星球復甦，我要讓我們的星球充滿希望，我要改造我們的家園。
「寶貝，起床了，今天是端午節，不要睡懶覺了」，我睜開了雙眼，原來是一場夢，只見的臉龐及眼角還掛著淚水，媽媽問為什麼，我只是搖了搖頭，心想，還要是一場夢。我一定要愛護自已的家園，我要做一個環保小衛士。
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偷星九月天時代
4
這......結果........真讓人蛋疼.....蛋疼
2014-06-15 15:16 · 回復Ta

熱心網友
4
這樣思考一會呢....看看我寫滴 地球上最後一個人獨自坐在房間里,這時,忽然響起了敲門聲。 「咚咚咚咚......」 聽見敲門聲後的人驚慌失措，他的腦子里一片空白，手心裡滲出了汗珠，他一動也不敢動，就像是孩童打翻了熱水，不知所錯。 「咚咚咚咚......」敲門聲還在繼續，而且越來越急促。 人咬了咬牙，還是起身去開門。「還會怎麼樣呢，這里已經沒有人了，即使不死，我也不願一個人孤獨
2013-06-17 19:21 · 回復Ta
聽聽音樂吧123 : 真不錯。

海茫茫WHZ
4
想像豐富，寫得不錯。
2013-06-15 21:34 · 回復Ta
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下面是科幻作家弗里蒂克布朗寫的一篇被稱為世界上最短的科學幻想小說，請續寫這篇小說「地球上最後一個人
他小心翼翼心驚膽戰的去開門，開門後，印入眼簾的卻是他自己的面貌。。。 敲門的人雙眼盯著他，猶如整個璀
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美國近代著名科幻小說家弗里蒂克·布朗曾寫過一篇就目前來說,堪為世界上最短的科幻小說。把它譯成現代漢語
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『捌』 西方有一部史上在最短的科幻小說只有11個字。請問：是哪11個字

科幻作家弗里蒂克*布朗的一篇小說，但無論中英文都不是11個 The last person on the earth sat alone in his room.Suddenly,there was a knock at the door… 地球上最後一個人獨自坐在房間里，這時忽然響起了敲門聲……

『玖』 求一篇1500詞左右的英文科幻小說

Though this is a relatively short collection of stories, the strength of the tales inside it is such that they will leave the reader with flashbacks and images for days afterwards. They did me. In fact, days after reading I still remember vividly parts of its contents.

The fourteen stories included vary in scope, size and length. The book starts strongly with 態est New Horror?/I>, which deals with the premise of Eddie Carroll, a jaded horror story editor who is sent a story so memorable that it jolts him out of his malaise. The problem is that the story, 態uttonboy?/I>, is so horrific that many are sickened by it. Nevertheless, the editor sets off to find the mysterious writer, Peter Kilrue, and the story ends with something not expected. This was a very strong tale ?filmic, for reasons that are best left until you抳e read the story, and references that a fan will get.

Reminiscent in tone of Bradbury and Serling, and another famous author more contemporary, this is a collection marinated in genre and societal references; the societal references help create that feeling of normality in stories that are anything but; the genre references, which though not necessarily important to get to enjoy the stories, add another dimension to their narrative.

Fritz Leiber once pointed out that the scary things are not always gothic castles and ghostly spectres, but the unusual things that are part of our normal everyday world. This is something that Joe has clearly understood here. Part Horror, part 1950抯 SF B-movie, part surreal fantasy, the collection covers a broad range with skill, humour and, hell, an empathy for the genre抯 long history.

There are common themes throughout the book. Most of the stories are interwoven around familial relationships?the bonds between mothers/fathers and their daughters/sons - and peer friendships, between the main character and their friends.

With such a variety of interests, not all of the stories worked for me as well as others. Least successful, though still pretty good, was You Will Hear the Locust Sing, a story with a Bradbury-esque title that clearly highlights a respect for the 1950抯 B-Movies of mutant insects. Though initially amusing, by the end it was a little disappointing. Similarly, The Black Phone was a little creepy, though a weaker effort in such a strong collection. With a Weird Tales type ending that Richard Matheson would be proud of, though strong in feel, this one seemed a little too obvious to me.

My 'weirdness award' goes to My Father抯 Mask, which I抦 not sure I still understand, though it is very unsettling to read. Rather Wicker Man to me.

Having said this, most of the stories are very strong. Most successful to me were Voluntary Committal, (the final novella in the book which sympathetically deals with Nolan Lerner抯 brother, Norris, a boy with Aspberger抯 Syndrome, who has a connection with The Twilight Zone), and in a Tales from the Crypt-type tale, Last Breath, which deals with a visit to a very unusual museum. I also really enjoyed The Cape, a story about Eric抯 particular piece of clothing with a special power (or is it just self-belief?)

There are many stories like that in this book. It is a book that reads with deceptive ease, yet is supremely adept at creating ghosts. To illustrate this, Dead-Wood is a story that, in a page-and-a-half, creates an intriguing 憌hat-if?that is simultaneously beautiful, creepy, and haunting.

All good; but perhaps the biggest surprise to me was the story Pop Art, which deals with the story抯 nameless central character and his relationship with his inflatable schoolfriend, Arthur Roth. (Pop Art, get it?) On first reading, the story reads as allegorical whimsy. It takes a writer of skill, which Hill clearly is, to turn that around so that the end of the story is a powerfully moving one. Forget the practical impossibility here ?Joe makes the reader forget the impracticality to create this story with an ending that is almost painful to read.

To summarise, in this book Hill manages to combine hometown dreams and ambitions with the reality of failure, pathos, horror, humour and B-movie kitsch; all of which is achieved with surprising aplomb and an ease and skill that belies this being just labelled as 'an author抯 first book'.

Let's go further than that. Many other long-published authors would kill to be as good as just one of these stories ?it抯 that good. And one of the best story collections I抳e read in years.

Haunting, resonant, melancholic ?a collection that richly deserves its awards.

Hobbit, October 2006

『拾』 最短科幻小說

小說的名稱叫做《最後一個人》，是美國近代著名科幻小說家弗里蒂克·布朗所寫，英文原文為"The last man on earth sat alone in a room. There was a knock on the door...."堪為世界上最短的科幻小說。一共十七個單詞，極為簡單。即使把它翻譯成漢語，也只有25個漢字：地球上最後一個人獨自坐在房間里，這時，忽然響起了敲門聲……

盡管只有一句話，但已足夠稱作一部小說，因為它具備了小說的三要素：人物、情節、環境！
人物：最後一個人；
情節：一個人坐著，聽到了敲門聲；
環境：地球的一個房間里。
所以，這足以稱作是一部合格的小說。