簡單的英語科幻小說

❶ 適合初學者看的英文小說

一、Charlie and the Chocolate Factory《查理和他的克工廠》

一本有趣好看而充滿想像力的童話小說，講述了窮孩子查理幸運拿到可以進入巧克力工廠參觀的金券後，一系列的奇遇。 在書中可以看到，小查理和他的家裡人過的生活雖然貧窮，可他們深深地懂得愛，這維持了他們除生活外的一切滿足感，看完如果意猶未盡，還可以看看同名電影。

二、The wonderful wizard of Oz《綠野仙蹤》

故事講述了小蘿莉多蘿西被大風吹到一個奇異國度(奧茲國)的奇遇記。這個可愛的小故事裡有一個善良的小蘿莉，一個稻草人，一個鐵皮機器人與一個獅子。短小精悍，沒什麼難度，易讀易懂，卻又引人入勝。

三、Flipped《怦然心動》

這本便是同名電影的原著小說，它講述了一個單純美好的故事，裡面有美好的田園風光和校園生活，還有屬於布萊斯和朱莉的故事。小說要比電影有意思很多，相信你看的時候一定會笑出聲來。敘述以男孩和女孩視角的章節交錯進行，畫面感很強。

四、Hyperbole and a Half- Allie Brosh我幼稚的時候好有范

比爾蓋茨2015年的推薦書單里就有這本奇特的小書，他說道：你會希望小說更長，因為這些故事很有趣，很睿智。它故事短小，畫風奇特，非常適合於碎片時間閱讀。

五、The little word of Liz Climo你今天真好看

這本畫風萌系、溫暖的治癒系，收錄了莉茲克里莫150多張逗趣漫畫和小說情節。畫中的故事簡單卻動人，圍繞著各種萌萌的小動物展開，有兔子，蜥蜴，棕熊，企鵝等。簡短有趣的句子配上可愛清新的漫畫，很快就可以看完。

❷ 名勝,科幻小說,用英語怎麼說急急急!!!!!!!!!

名勝
key point of interest / place of interest / a place of interest / sights / scenic spot

科幻小說 science fiction / sci-fi

❸ 求一些中短篇英文原版科幻奇幻小說

我有《趁生命氣息逗留》

和拉瑪系列之二《拉瑪2號》英文原版的要不要？中篇！！

已發，求採納！！

❹ 有哪些簡單的英語小說

The Wizard of Oz（綠野仙蹤）強烈推薦這本！
Tuesdays with Morrie.
the old man and the sea（有點短- -）
= =只記得這些了，還有些名字忘了....
你先看看上面三本吧。

另外，其實我不建議去看一些原著導讀版，還有一些古典名著也別讀了，包含了很多古英語什麼的。
初讀的話也不要選那種很厚的書，200多頁以內差不多了。
另外，要是不討厭童書的話，英文童書其實是很不錯的選擇。
要是不喜歡童話，去看一些近代的青少年讀物，例如冰與火之歌，哈利波特，the kite runner什麼的。
總之關鍵是讀下去！找一本生詞量不大的！

❺ 最短的科幻小說英文是什麼

當年流傳一個世界上最短的科幻小說：
地球上最後一個人坐在房間里.這時響起了敲門聲.....
呵呵，現在應該變變了，世界上最短的科幻小說：超人歸來！
嘿嘿，也許還有更短的：我是神!
還有更短的不？

❻ 求200詞左右的英文科幻小說

我自己寫得哦~~~(感覺不是很好,有什麼錯誤麻煩告訴我哦~)

Science fiction story
AD 3,000
A group of scientists(including me) went to the bottom of the sea,some aliens are living there,they may cause a world war because they can take control of water.This time,we want to talk with them.

With the help of the sea-spaceship,we got the destination easily.To my surprise,this is a wonderful undersea world,beautiful fishes,and green coral reef which can make people feel great.

We didn't forget why we came here,but we saw no alien.Suddenly a huge screen was presented before us.It was playing a tsunami around India,and some wars around the world.Yes,this is our true life,I realized something,and turned around,a alien was looking us.Then,it began to say,"Human beings,you've made a lot trouble to the
earth,e.g. The wars,the pollution,the experiment,etc.Now,we use the water to give you a tsunami,this is only a lesson for you.If you do this continuously,you will be punished!"

We were back to the ground,everything seemed peaceful,we knew what we should do.

❼ 世界上最短的科幻小說的英文版

美國近代著名科幻小說家弗里蒂克·布朗曾寫過一篇世界上最短的科幻小說。僅僅只有一句話:"地球上最後一個人獨自坐在房間里,這時,忽然響起了敲門聲……"

❽ 推薦幾本簡單的英文小說

高中啊。我剛剛大一呵呵。不同高中生水平不同啊。高中有同學看得懂哈利波特了都我只看得懂書蟲系列的那些書。你可以試試書蟲那一系列哦。不難都是中長篇英文小說，高中不適合看原著，一些作者的字里行間深意理解不了。可以看下織工馬男這類的。
以上求分。以下為緬懷高中之忠告。好好學英語吧。在小學英語是興趣，中學它是主科，大學它是命。。。。學弟好好學習，祝你學習進步，早日。。。。逃離高中苦海。。。呵呵O(∩_∩)O。

❾ 世界上最短的英文科幻小說

就25漢字 自己翻譯下吧

25字科幻小說

美國近代著名科幻小說家弗里蒂克·布朗曾寫過一篇就目前來說，堪為世界上最短的科幻小說。把它譯成現代漢語恰好是25個字，僅僅只有一句話：

地球上最後一個人獨自坐在房間里，這時，忽然響起了敲門聲……

盡管只有一句話，但它同樣具備了小說的特點。就小說的三要素而言，有人物（一個人）、有情節（一個人獨坐，聽到敲門聲）、有環境（僅有一人的地球上的某房間里）。科幻，重在科學幻想，其最為顯著的特徵就是：擅長誇張、製造懸念，給讀者設置自由而廣闊的聯想、想像等思維空間。這25個字促使讀者追究、探求的問題太多了——

地球上怎麼會只剩下一個人？其他人都到哪裡去了？是去往別的星球還是都死了？如果死了是因為什麼而死的？既然地球上僅剩一個人，那麼敲門的又是誰呢？是人類，是外星人，還是其它高智能的動物？這最後一個人是否去開門？開門後將看到什麼？如果是外星人，他們能夠通過語言來溝通彼此的情感嗎？……最後故事又將會怎樣發展？……總之，將會使每個讀者都產生多維而豐富的聯想和想像，有一百個讀者，就會有一百個關於「地球上最後一個人」的故事。

❿ 求一篇1500詞左右的英文科幻小說

Though this is a relatively short collection of stories, the strength of the tales inside it is such that they will leave the reader with flashbacks and images for days afterwards. They did me. In fact, days after reading I still remember vividly parts of its contents.

The fourteen stories included vary in scope, size and length. The book starts strongly with 態est New Horror?/I>, which deals with the premise of Eddie Carroll, a jaded horror story editor who is sent a story so memorable that it jolts him out of his malaise. The problem is that the story, 態uttonboy?/I>, is so horrific that many are sickened by it. Nevertheless, the editor sets off to find the mysterious writer, Peter Kilrue, and the story ends with something not expected. This was a very strong tale ?filmic, for reasons that are best left until you抳e read the story, and references that a fan will get.

Reminiscent in tone of Bradbury and Serling, and another famous author more contemporary, this is a collection marinated in genre and societal references; the societal references help create that feeling of normality in stories that are anything but; the genre references, which though not necessarily important to get to enjoy the stories, add another dimension to their narrative.

Fritz Leiber once pointed out that the scary things are not always gothic castles and ghostly spectres, but the unusual things that are part of our normal everyday world. This is something that Joe has clearly understood here. Part Horror, part 1950抯 SF B-movie, part surreal fantasy, the collection covers a broad range with skill, humour and, hell, an empathy for the genre抯 long history.

There are common themes throughout the book. Most of the stories are interwoven around familial relationships?the bonds between mothers/fathers and their daughters/sons - and peer friendships, between the main character and their friends.

With such a variety of interests, not all of the stories worked for me as well as others. Least successful, though still pretty good, was You Will Hear the Locust Sing, a story with a Bradbury-esque title that clearly highlights a respect for the 1950抯 B-Movies of mutant insects. Though initially amusing, by the end it was a little disappointing. Similarly, The Black Phone was a little creepy, though a weaker effort in such a strong collection. With a Weird Tales type ending that Richard Matheson would be proud of, though strong in feel, this one seemed a little too obvious to me.

My 'weirdness award' goes to My Father抯 Mask, which I抦 not sure I still understand, though it is very unsettling to read. Rather Wicker Man to me.

Having said this, most of the stories are very strong. Most successful to me were Voluntary Committal, (the final novella in the book which sympathetically deals with Nolan Lerner抯 brother, Norris, a boy with Aspberger抯 Syndrome, who has a connection with The Twilight Zone), and in a Tales from the Crypt-type tale, Last Breath, which deals with a visit to a very unusual museum. I also really enjoyed The Cape, a story about Eric抯 particular piece of clothing with a special power (or is it just self-belief?)

There are many stories like that in this book. It is a book that reads with deceptive ease, yet is supremely adept at creating ghosts. To illustrate this, Dead-Wood is a story that, in a page-and-a-half, creates an intriguing 憌hat-if?that is simultaneously beautiful, creepy, and haunting.

All good; but perhaps the biggest surprise to me was the story Pop Art, which deals with the story抯 nameless central character and his relationship with his inflatable schoolfriend, Arthur Roth. (Pop Art, get it?) On first reading, the story reads as allegorical whimsy. It takes a writer of skill, which Hill clearly is, to turn that around so that the end of the story is a powerfully moving one. Forget the practical impossibility here ?Joe makes the reader forget the impracticality to create this story with an ending that is almost painful to read.

To summarise, in this book Hill manages to combine hometown dreams and ambitions with the reality of failure, pathos, horror, humour and B-movie kitsch; all of which is achieved with surprising aplomb and an ease and skill that belies this being just labelled as 'an author抯 first book'.

Let's go further than that. Many other long-published authors would kill to be as good as just one of these stories ?it抯 that good. And one of the best story collections I抳e read in years.

Haunting, resonant, melancholic ?a collection that richly deserves its awards.

Hobbit, October 2006