科幻小说英语介绍

❶ 要科幻小说英文定义和由来以及科幻小说有关的知识，要英文的！英语版，最好有翻译~谢谢

The science fiction is defined as a form of modern literature which is intended to predict future of human world and inspire human imagination and novelty of scientists. The War of the Worlds (1898) is a science fiction novel by H. G. Wells. It describes the experiences of an unnamed narrator who travels through the suburbs of London as the Earth is invaded by Martians.It is the earliest story that details a conflict between mankind and an alien race.Jules-Verne may also be deemed as contributinga lot to this writing style.The great popularity of this writing style arose from The Instrial Revolution , which is characteristic of the exploration of unknown world .
科幻小说是当代文学的一种新形式,旨在预测人类的未来,激发人类想象和科学家的创造精神.1898年的"地球大战"是威尔斯创作的科幻小说,它描述了一位无名氏在伦敦郊区旅行期间偶遇火星来客的故事.这是最早的描述人类与外星物种爆发冲突的小说.儒勒.凡尔纳对科幻小说的盛行也贡献巨大.科幻小说的盛行源自于工业革命,因为正是这场革命提供了人类探索未知世界的动力.

❷ 谁能帮我写一篇概括关于科幻小说的英语短文

爱洋葱双语阅读平台上有《80天环游世界 》、《地下城》、《神秘岛》 、《从地球到月球》 、《时光机器》都是比较好看的科幻小说,而且都是中英文对照的,

❸ 请问有大神可以写一篇关于对科幻小说看法的英语作文

虽然"硬科幻"、"软科幻"的分法常见诸于许多杂志、网站和爱好者之口，但赞成者内部对"软硬"的定义也存在争议;同样，有许多人拒绝承认这种说法，认为没有必要去细分科幻小说。
一个典型的混乱案例是《星球大战》(Star Wars)。起初许多保守的爱好者因为其中"原力"(Force，某种超自然的精神力量)的设定而认为它不属于科幻，而只能算奇幻小说，或好莱坞太空电影，反正不是科幻;另一些硬科幻小说拥护者认为好莱坞太空电影都是奇幻;而公众一般直截了当地把它们统统归为"科幻电影"。
一般认为这类作品严格上是应当归入太空歌剧的范围，其特点是对于非科幻迷来说，因为其模仿历史和现实的人物言行，反而有真实的感觉，所以对于公众来说更为严肃。所以阿西莫夫和田中芳树等著名科幻作家，都因为反过来利用人不知未来却知道过去，而故意把未来和历史类比，吸引读者对未来和太空的向往。
特摄或动画等影像媒体的盛行，使一些人相反地以荷里活太空电影或日本超现实军事动画为基准，倒转来认定，模仿威尔斯强调探索和反思的作品不是科幻。例如认为凉宫春日系列不是科幻，而是借用了科幻词语的校园恋爱幻想故事，可见科幻的定义是随时代和地方而变化的。

❹ “科幻小说”英语怎么说

科幻小说_网络翻译
科幻小说
[词典] sci-fi; science fiction;
[例句]科学事实和科幻小说之间的界限变得有点儿模糊了。
The border between science fact and science fiction gets a bit fuzzy.
双语例句 汉英大词典

❺ 求一篇1500词左右的英文科幻小说

Though this is a relatively short collection of stories, the strength of the tales inside it is such that they will leave the reader with flashbacks and images for days afterwards. They did me. In fact, days after reading I still remember vividly parts of its contents.

The fourteen stories included vary in scope, size and length. The book starts strongly with 态est New Horror?/I>, which deals with the premise of Eddie Carroll, a jaded horror story editor who is sent a story so memorable that it jolts him out of his malaise. The problem is that the story, 态uttonboy?/I>, is so horrific that many are sickened by it. Nevertheless, the editor sets off to find the mysterious writer, Peter Kilrue, and the story ends with something not expected. This was a very strong tale ?filmic, for reasons that are best left until you抳e read the story, and references that a fan will get.

Reminiscent in tone of Bradbury and Serling, and another famous author more contemporary, this is a collection marinated in genre and societal references; the societal references help create that feeling of normality in stories that are anything but; the genre references, which though not necessarily important to get to enjoy the stories, add another dimension to their narrative.

Fritz Leiber once pointed out that the scary things are not always gothic castles and ghostly spectres, but the unusual things that are part of our normal everyday world. This is something that Joe has clearly understood here. Part Horror, part 1950抯 SF B-movie, part surreal fantasy, the collection covers a broad range with skill, humour and, hell, an empathy for the genre抯 long history.

There are common themes throughout the book. Most of the stories are interwoven around familial relationships?the bonds between mothers/fathers and their daughters/sons - and peer friendships, between the main character and their friends.

With such a variety of interests, not all of the stories worked for me as well as others. Least successful, though still pretty good, was You Will Hear the Locust Sing, a story with a Bradbury-esque title that clearly highlights a respect for the 1950抯 B-Movies of mutant insects. Though initially amusing, by the end it was a little disappointing. Similarly, The Black Phone was a little creepy, though a weaker effort in such a strong collection. With a Weird Tales type ending that Richard Matheson would be proud of, though strong in feel, this one seemed a little too obvious to me.

My 'weirdness award' goes to My Father抯 Mask, which I抦 not sure I still understand, though it is very unsettling to read. Rather Wicker Man to me.

Having said this, most of the stories are very strong. Most successful to me were Voluntary Committal, (the final novella in the book which sympathetically deals with Nolan Lerner抯 brother, Norris, a boy with Aspberger抯 Syndrome, who has a connection with The Twilight Zone), and in a Tales from the Crypt-type tale, Last Breath, which deals with a visit to a very unusual museum. I also really enjoyed The Cape, a story about Eric抯 particular piece of clothing with a special power (or is it just self-belief?)

There are many stories like that in this book. It is a book that reads with deceptive ease, yet is supremely adept at creating ghosts. To illustrate this, Dead-Wood is a story that, in a page-and-a-half, creates an intriguing 憌hat-if?that is simultaneously beautiful, creepy, and haunting.

All good; but perhaps the biggest surprise to me was the story Pop Art, which deals with the story抯 nameless central character and his relationship with his inflatable schoolfriend, Arthur Roth. (Pop Art, get it?) On first reading, the story reads as allegorical whimsy. It takes a writer of skill, which Hill clearly is, to turn that around so that the end of the story is a powerfully moving one. Forget the practical impossibility here ?Joe makes the reader forget the impracticality to create this story with an ending that is almost painful to read.

To summarise, in this book Hill manages to combine hometown dreams and ambitions with the reality of failure, pathos, horror, humour and B-movie kitsch; all of which is achieved with surprising aplomb and an ease and skill that belies this being just labelled as 'an author抯 first book'.

Let's go further than that. Many other long-published authors would kill to be as good as just one of these stories ?it抯 that good. And one of the best story collections I抳e read in years.

Haunting, resonant, melancholic ?a collection that richly deserves its awards.

Hobbit, October 2006

❻ 科幻小说的外貌英语

你好！
科幻小说的外貌
The appearance of science fiction

❼ 科幻小说的介绍

科幻小说（英语：Sci-Fi）全称科学幻想小说（英语：Science Fiction），主要描写想象的科学或技术对社会或个人的影响的虚构性文学作品。科幻小说是西方近代文学的一种新体裁。它的情节不可能发生在人们已知的世界上，但它的基础是有关人类或宇宙起源的某种设想，有关科技领域（包括假设性的科技领域）的某种虚构出来的新发现。在当代的西方世界，科幻小说是最受人欢迎的通俗读物之一。

❽ 科幻小说用英语怎么说

我喜欢读科幻小说。 I like to read science fiction. 2. 安娜在读一部科幻小说 fiction （ 也可以说science fiction, fiction本身就有科幻小说的

❾ 英文科幻小说

登录科幻世界杂志社旗下的“天空之城”论坛（bbs.sfw.com.cn），会找到你想要的信息的，而且现在科幻世界正在寻找优秀的译者加入他们的翻译团队。

❿ 谁能帮我写一篇概括关于科幻小说的英语短文，谢谢了！

爱洋葱双语阅读平台上有《80天环游世界 》、《地下城》、《神秘岛》 、《从地球到月球》 、《时光机器》都是比较好看的科幻小说，而且都是中英文对照的，希望对你有帮助。