英语作文有关阅读科幻小说

『壹』 关于科幻的英语作文

Today, in the rapid development of information technology is becoming more and more important. In the future, every family can have a robot, the robot can help people do many things. For example, to care for children, cleaning, laundry cooking. Robots also very environmental protection, can use hydrogen as raw materials, no pollution to the environment, and very practical. The life of people will become more and more convenient.

『贰』 英文科幻小说

登录科幻世界杂志社旗下的“天空之城”论坛（bbs.sfw.com.cn），会找到你想要的信息的，而且现在科幻世界正在寻找优秀的译者加入他们的翻译团队。

『叁』 谁能帮我写一篇概括关于科幻小说的英语短文，谢谢了！

爱洋葱双语阅读平台上有《80天环游世界 》、《地下城》、《神秘岛》 、《从地球到月球》 、《时光机器》都是比较好看的科幻小说，而且都是中英文对照的，希望对你有帮助。

『肆』 年轻人喜欢科幻小说 英语作文 特别急 在线等 高分

年轻人喜欢科幻小说 原因一是情节吸引人 二是生动有趣 三是描写现实中发生不了的 建议：适当地读 不要沉迷

『伍』 英语作文,推荐一本《科幻故事》的书

我的科幻故事
一天,我在公园里散步。突然，一个像盘子一样发着许多光的东西从天而降，低盘的中间发着绿光，像一根柱子。我好半天才反应过来是UFO——“不明飞行物”。我赶紧躲在一块大石头后面。只见那个不明飞行物从中间出来一个梯子，一个张着大大的脑袋，大大的眼睛，细又长的手臂，而且非常矮，只有1米左右的外星人从不明飞行物中走出来。它古怪地说：“躲在石头后面的地球人，你出来吧。我的雷达手已经发现了你，我不会伤害你的。”我一点一点地从石头后面走出来，赶紧跑。那外星人的手马上伸长，把我给抓住了。我被吓得把它的手拉开……最后我战胜了害怕，慢慢地走过去。我给它饮料喝。它把饮料放在地上，接着，一道水飞入它的嘴里。我惊呆了，它说它有吸东西的魔力，吸的是超能水。它还能把房子举起来，在0.001秒内算完一道上亿的乘法算式。
我请它带我进入不明飞行物内，它便带我进入不明飞行物里面。里面有许多机器，有一个把光转化成动力的机器，还有能在一秒钟飞回基地的超动力发电机，能在每秒钟转4亿转。飞船上的天线还能接受火星，木星，金星等发出的信号。
只见飞船发出声音：“动力系统出现问题，是否修复？”外星人回答道：“是。”过了5秒钟，飞船又说：“动力系统已修复。”我不禁惊讶：“你们科技真发达呀，在这没短的时间就能修好动力系统！”它听了，脸上露出得意的神色。这时，它说：“我要走了，我叫卡光，是火星人，再见。”一道百光一闪，飞船便没了。我呆呆地站在那个地方……
起床了……妈妈的声音在我耳边响起，原来是一场梦，我想：“我以后要去火星，去找卡光。”

『陆』 英语作文关于课外阅读介绍你看过的一本书

I want to introce the book is Hemingway's the old man and the sea, I think this book is very worth a look, especially in the ownership of the "tough guy" spirit is worth us to learn.
The old man and the sea is the background of the story leaves of Cuba in the 20th century. Protagonist is an old fisherman San Diego in a supporting role is a named manolin's child. The old man and the sea is written by an old fisherman fishing in the sea for three days and three nights. Old man in the face of many difficulties, life, other fishermen laugh at, only a small boy to send him food. The old man decided to go to fisherman who has never been to the deep sea fishing, to prove your ability and courage. At sea, the old man caught a salmon, but the fish is too big, the old man made countless efforts finally put the fish in the boat, because of that, that caused the tragedy, the fish's blood attracted many shark, the old man was determined, "fight with them, I'll talk to them all to death" finally, went back to the shore, the old man in the boat only strapped to her bones.
"People are not born for defeat, a man can be destroyed, but can't defeat". Lonely old fisherman San Diego resolute character, superb fishing technique, etc. The outline of his article is not only a tough guy, also saw a variety of different from him, let the person ponder: self-confident, brave, optimistic, simple, lonely, and wise. Old fisherman of this spirit is worth us to learn, to mining. The children from the age of five with the old fishing boat learning, the child's personality traits from another side, reflect the old man's character, showed that kind of not afraid of hard, have the courage to overcome difficulties of character; Child is small, only a few years old, but it doesn't show very childish; Learned from the old man is not only the skill of fishing, and self-esteem self-improvement of the spirit, and learn to understand the hardships of life with the man's responsibility. Tender shoulder has already accustomed to the morning go out fishing life of hone, even "walk still dozing", still said "this consider as what, a man have to like this." Fist-pumping, be born words fully demonstrates the sound always tough spirit. This spirit is worth us to learn, also let I was moved very much.
To what struck me most is the spirit, the old fisherman manolin kid the sort of understand, in life, in learning, or in the later work, when we encounter unprecedented hardships and setbacks, we should consider the alone on the sea and unable to fight the "tough guy" old fisherman, the children of that kind of sensible and self-esteem self-improvement, like him after the life of hone. In this way, we will find that in fact there are a lot of difficulties and not imagined so invincible. If we are to study the spirit, and has the "tough guy" spirit, inspire our biggest potential, can overcome we think it is impossible to overcome the difficulties.
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我想介绍的书是海明威的《老人与海》,我觉得这本书很值的一看,尤其是文中主人翁的那种“硬汉”的精神 值得我们去学习.
《老人与海》故事的背景是在二十世纪中 叶的古巴.主角人物是一位圣地亚哥的老渔夫,配角是一个叫马诺林的小孩.《老人与海》所写的是一个老渔夫在大海捕鱼三天三夜的经历.老人面对了许多困难,生活窘困,其他渔民的嘲笑,只有一个小男孩给他送饭.老人决定去渔夫们从未去过的深海打渔,以证明自己的能力和勇气.在海上,老人钓到一只大马哈鱼,但是鱼太大,老人做了无数努力终于把鱼挂在了船边,正是因为这样,才导致了悲剧,鱼的血引来了许多鲨鱼,老人下定决心,“跟让它们斗,我要跟它们都到死“最后,回到了岸上,老人的船上只绑着鱼刺.
“人不是为失败而生的,一个人可以被毁灭,但不可以给打败”.孤独的老渔夫圣地亚哥刚毅的性格、精湛的钓鱼术等勾勒出他已不仅仅是条硬汉,也从他身上看到了各种不同的、让人深思的境界：自信、勇敢、乐观、单纯、孤寂及睿智.老渔夫的这种精神很值得我们去学习,去挖掘.文中孩子是从五岁起跟老人上船学习捕鱼的,孩子的个性特征从另一个侧面反映了老人的性格,表现出那种不畏艰难的,勇于战胜困难的性格；孩子虽然很小,只有几岁,但并不显很孩子气；从老人那里学到的不仅是捕鱼的本领,还有自尊自强的精神,并学会懂得生活的艰辛与男人的责任.稚嫩的肩膀早已习惯了清早就得出门打鱼的生活的磨砺,纵然是“走路还打瞌睡”,仍然说“这算什么,男子汉就得这样.”铿锵有力,落地有声的言语充分的展示了硬汉子精神.这种精神是很值得我们去学习的,也很让我感动.
给我感触最深的是文中老渔夫的那种精神,马诺林小孩的那种懂事,在生活中,在学习中,还是在以后的工作中,当我们遇到前所未有的苦难与挫折的时候,我们应该想想那个在大海上孤独地与强敌战斗的“硬汉”老渔夫,文中小孩的那种懂事与自尊自强,像他那样经的起生活的磨砺.这样,我们就会发现其实有很多困难并没有想象中的那么不可战胜.如果我们去学习这种精神,并拥有这种“硬汉”的精神,激发我们的最大潜能,就可以战胜我们认为这是不可能战胜的困难.
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我想介绍的书是海明威的《老人与海》,我觉得这本书很值的一看,尤其是文中主人翁的那种“硬汉”的精神 值得我们去学习.
《老人与海》故事的背景是在二十世纪中 叶的古巴.主角人物是一位圣地亚哥的老渔夫,配角是一个叫马诺林的小孩.《老人与海》所写的是一个老渔夫在大海捕鱼三天三夜的经历.老人面对了许多困难,生活窘困,其他渔民的嘲笑,只有一个小男孩给他送饭.老人决定去渔夫们从未去过的深海打渔,以证明自己的能力和勇气.在海上,老人钓到一只大马哈鱼,但是鱼太大,老人做了无数努力终于把鱼挂在了船边,正是因为这样,才导致了悲剧,鱼的血引来了许多鲨鱼,老人下定决心,“跟让它们斗,我要跟它们都到死“最后,回到了岸上,老人的船上只绑着鱼刺.
“人不是为失败而生的,一个人可以被毁灭,但不可以给打败”.孤独的老渔夫圣地亚哥刚毅的性格、精湛的钓鱼术等勾勒出他已不仅仅是条硬汉,也从他身上看到了各种不同的、让人深思的境界：自信、勇敢、乐观、单纯、孤寂及睿智.老渔夫的这种精神很值得我们去学习,去挖掘.文中孩子是从五岁起跟老人上船学习捕鱼的,孩子的个性特征从另一个侧面反映了老人的性格,表现出那种不畏艰难的,勇于战胜困难的性格；孩子虽然很小,只有几岁,但并不显很孩子气；从老人那里学到的不仅是捕鱼的本领,还有自尊自强的精神,并学会懂得生活的艰辛与男人的责任.稚嫩的肩膀早已习惯了清早就得出门打鱼的生活的磨砺,纵然是“走路还打瞌睡”,仍然说“这算什么,男子汉就得这样.”铿锵有力,落地有声的言语充分的展示了硬汉子精神.这种精神是很值得我们去学习的,也很让我感动.
给我感触最深的是文中老渔夫的那种精神,马诺林小孩的那种懂事,在生活中,在学习中,还是在以后的工作中,当我们遇到前所未有的苦难与挫折的时候,我们应该想想那个在大海上孤独地与强敌战斗的“硬汉”老渔夫,文中小孩的那种懂事与自尊自强,像他那样经的起生活的磨砺.这样,我们就会发现其实有很多困难并没有想象中的那么不可战胜.如果我们去学习这种精神,并拥有这种“硬汉”的精神,激发我们的最大潜能,就可以战胜我们认为这是不可能战胜的困难. ）

『柒』 假如你是李华英语作文，你很喜欢科幻小说

Dear Mr. Jone
I want to thank you for I met terrible fog helpless time, you gave me a lot of help,, you took my hand to give me to lead the way, and encouraged me to brave, thank you help me eliminate fear, now I have graate from college, I go back to China. How are you doing, you still happy as we live together day? If you have free, I'd like to invite you to China.
You sincerely,
Li hua

『捌』 就高中生是否阅读科幻小说的英语作文 读科幻小说对发展想象力有帮助 对文化思维方式很重要

西方科幻小说多为硬科幻，专业性较强，以高中生的角度看较枯燥

『玖』 请问有大神可以写一篇关于对科幻小说看法的英语作文

虽然"硬科幻"、"软科幻"的分法常见诸于许多杂志、网站和爱好者之口，但赞成者内部对"软硬"的定义也存在争议;同样，有许多人拒绝承认这种说法，认为没有必要去细分科幻小说。
一个典型的混乱案例是《星球大战》(Star Wars)。起初许多保守的爱好者因为其中"原力"(Force，某种超自然的精神力量)的设定而认为它不属于科幻，而只能算奇幻小说，或好莱坞太空电影，反正不是科幻;另一些硬科幻小说拥护者认为好莱坞太空电影都是奇幻;而公众一般直截了当地把它们统统归为"科幻电影"。
一般认为这类作品严格上是应当归入太空歌剧的范围，其特点是对于非科幻迷来说，因为其模仿历史和现实的人物言行，反而有真实的感觉，所以对于公众来说更为严肃。所以阿西莫夫和田中芳树等著名科幻作家，都因为反过来利用人不知未来却知道过去，而故意把未来和历史类比，吸引读者对未来和太空的向往。
特摄或动画等影像媒体的盛行，使一些人相反地以荷里活太空电影或日本超现实军事动画为基准，倒转来认定，模仿威尔斯强调探索和反思的作品不是科幻。例如认为凉宫春日系列不是科幻，而是借用了科幻词语的校园恋爱幻想故事，可见科幻的定义是随时代和地方而变化的。

『拾』 求一篇1500词左右的英文科幻小说

Though this is a relatively short collection of stories, the strength of the tales inside it is such that they will leave the reader with flashbacks and images for days afterwards. They did me. In fact, days after reading I still remember vividly parts of its contents.

The fourteen stories included vary in scope, size and length. The book starts strongly with 态est New Horror?/I>, which deals with the premise of Eddie Carroll, a jaded horror story editor who is sent a story so memorable that it jolts him out of his malaise. The problem is that the story, 态uttonboy?/I>, is so horrific that many are sickened by it. Nevertheless, the editor sets off to find the mysterious writer, Peter Kilrue, and the story ends with something not expected. This was a very strong tale ?filmic, for reasons that are best left until you抳e read the story, and references that a fan will get.

Reminiscent in tone of Bradbury and Serling, and another famous author more contemporary, this is a collection marinated in genre and societal references; the societal references help create that feeling of normality in stories that are anything but; the genre references, which though not necessarily important to get to enjoy the stories, add another dimension to their narrative.

Fritz Leiber once pointed out that the scary things are not always gothic castles and ghostly spectres, but the unusual things that are part of our normal everyday world. This is something that Joe has clearly understood here. Part Horror, part 1950抯 SF B-movie, part surreal fantasy, the collection covers a broad range with skill, humour and, hell, an empathy for the genre抯 long history.

There are common themes throughout the book. Most of the stories are interwoven around familial relationships?the bonds between mothers/fathers and their daughters/sons - and peer friendships, between the main character and their friends.

With such a variety of interests, not all of the stories worked for me as well as others. Least successful, though still pretty good, was You Will Hear the Locust Sing, a story with a Bradbury-esque title that clearly highlights a respect for the 1950抯 B-Movies of mutant insects. Though initially amusing, by the end it was a little disappointing. Similarly, The Black Phone was a little creepy, though a weaker effort in such a strong collection. With a Weird Tales type ending that Richard Matheson would be proud of, though strong in feel, this one seemed a little too obvious to me.

My 'weirdness award' goes to My Father抯 Mask, which I抦 not sure I still understand, though it is very unsettling to read. Rather Wicker Man to me.

Having said this, most of the stories are very strong. Most successful to me were Voluntary Committal, (the final novella in the book which sympathetically deals with Nolan Lerner抯 brother, Norris, a boy with Aspberger抯 Syndrome, who has a connection with The Twilight Zone), and in a Tales from the Crypt-type tale, Last Breath, which deals with a visit to a very unusual museum. I also really enjoyed The Cape, a story about Eric抯 particular piece of clothing with a special power (or is it just self-belief?)

There are many stories like that in this book. It is a book that reads with deceptive ease, yet is supremely adept at creating ghosts. To illustrate this, Dead-Wood is a story that, in a page-and-a-half, creates an intriguing 憌hat-if?that is simultaneously beautiful, creepy, and haunting.

All good; but perhaps the biggest surprise to me was the story Pop Art, which deals with the story抯 nameless central character and his relationship with his inflatable schoolfriend, Arthur Roth. (Pop Art, get it?) On first reading, the story reads as allegorical whimsy. It takes a writer of skill, which Hill clearly is, to turn that around so that the end of the story is a powerfully moving one. Forget the practical impossibility here ?Joe makes the reader forget the impracticality to create this story with an ending that is almost painful to read.

To summarise, in this book Hill manages to combine hometown dreams and ambitions with the reality of failure, pathos, horror, humour and B-movie kitsch; all of which is achieved with surprising aplomb and an ease and skill that belies this being just labelled as 'an author抯 first book'.

Let's go further than that. Many other long-published authors would kill to be as good as just one of these stories ?it抯 that good. And one of the best story collections I抳e read in years.

Haunting, resonant, melancholic ?a collection that richly deserves its awards.

Hobbit, October 2006