英语科幻小说隐身人

1. 科幻小说（关于隐身的）

这么简单的问题，按照中国的教育，那就是要你去做好事不 留名，写的再复杂些那就是你经过了很长时间的心理斗争，摆脱了那些肮脏的思想的诱惑，成为了超人、蜘蛛侠这样的英雄。

2. 威尔斯的《隐形人》中英文简介

如果你成为隐身人的话你想干什么呢？

这是一部今人毛骨悚然的科幻片。科学家塞巴斯蒂安-凯恩(凯文-贝肯饰)与一组军方秘密人员一起研究新的情报技术。在同事琳达-福斯特(伊丽莎白-舒饰)和马特-肯辛顿(乔许-布洛林饰)的帮助下，塞巴斯蒂安一直在研究一种能使人隐形的血清。这个方案是全新的，也不太稳定，但耐不住性子的凯恩决定在自己身上试验一下。

隐形血清十分奏效，但是凯恩却遇到了一个难题--他再也无法回复到试验前的样子，而且试验的副作用使隐形的凯恩精神也变得不正常了。凯恩的同事们终于发明了解药，但是凯恩认为他们对他的存在构成了威胁。于是他开始实施报复，杀气腾腾地追杀琳达和马特。对于琳达和马特来说，要抵御一个隐形人的伤害确实是一个艰巨的挑战。

《隐身人》的导演是执导过《机器战警》，《全面回忆》，《本能》的保罗-韦尔霍文(Paul Verhoeven)，这位颇受争议的导演拍摄的影片总是悬念迭起。曾主演《玩尽杀绝》的凯文-贝肯在本片中饰演从事隐身研究却最终变成杀人狂魔的天才科学家凯恩。影片中运用最新技术制作的特技效果极具视觉冲击力，即使在一年以前也无法实现。观众将看见一个人如何一层一层地隐去，从皮肤、肌肉到骨骼、再到内脏器官，直到一切消失得无影无踪。

3. 小时候看过的一篇小说，名字叫《隐形人》，忘记作者名字了，外国小说（最可能是美国或者英国的）

《隐形人》是英国小说家赫伯特·乔治·威尔斯在1897年发表的科幻小说，被视为是描写疯狂科学家与社会对立的杰作。

不知道是不是这个

4. 谁有威尔斯的《隐身人》英文版简介及主人公简介

http://www.online-literature.com/wellshg/invisible/(这里有很详细的介绍,不过你要有一定英语基础)
http://www.bartelby.com/1003/index.html(或者这里也可以)

下面是我为你找好的故事简介:
“In our society, it is not unusual for a Negro to experience a sensation that he does not exist in the real world at all. He seems rather to exist in the nightmarish fantasy of the white American mind as a phantom that the white mind seeks unceasingly, by means both crude and subtle, to slay.” (“An American Dilemma: A Review,” Shadow and Act)

This quote from Ralph Ellison’s review of Swedish sociologist Gunnar Myrdal’s book An American Dilemma (which explores the roots of prejudice and racism in the U.S.) anticipates the premise of Invisible Man: Racism is a devastating force, possessing the power to render black Americans virtually invisible.

Hailed as a novel that “changed the shape of American literature,” Invisible Man traces the nightmarish journey of its unnamed narrator from his high school and college days in the South to his harrowing experiences in the North as a member of the Brotherhood, a powerful organization that purports to fight for justice and equality for all people but in reality exploits blacks and uses them to promote its own political agenda. By describing one man’s lifelong struggle to establish a sense of identity as a black man in white America, Ellison illustrates the powerful social and political forces that conspire to keep black Americans “in their place,” denying them the “inalienable right to life, liberty, and the pursuit of happiness” guaranteed to all Americans. (As numerous historians have pointed out, the U.S. Constitution explicitly excludes black Americans, who, until 1865, were perceived not as men, but as property.)

Often described as a bilngsroman, or coming-of-age story, Invisible Man is the tale of a black man’s search for identity and visibility in white America. Convinced that his existence depends on gaining the support, recognition, and approval of whites—whom he has been taught to view as powerful, superior beings who control his destiny—the narrator spends nearly 20 years trying to establish his humanity in a society that refuses to see him as a human being. Ultimately, he realizes that he must create his own identity, which rests not on the acceptance of whites, but on his own acceptance of the past. Although Invisible Man received the prestigious National Book Award, some blacks feel that the novel perpetuates black stereotypes. In addition, some black scholars criticized the novel for not being sufficiently “revolutionary” and not accurately depicting “the black experience.” Ellison’s attitude towards these critics is perhaps best summarized in his classic response to a reporter ring a 1973 interview: “I’ll be my kind of militant.” Black feminists also criticized the novel, pointing to the lack of positive female characters, and noting that the women in the novel are all prostitutes, sex objects, or caregivers. Despite these criticisms, Ellison’s novel, regarded as a classic of American literature, enjoyed immense popularity.

Published in 1952, more than a decade before the Civil Rights Act of 1964 declared racial segregation illegal, Invisible Man has been praised for its innovative style and unique treatment of controversial subject matter. The violence and racial tension depicted in Invisible Man foreshadow the violence engendered by the Civil Rights Movement in cities across the U.S. The action of Invisible Man spans approximately 20 years, tracing the narrator’s life from his high school graation in Greenwood, South Carolina, to his involvement in the Harlem Riot of 1943. By tracing the narrator’s journey from the rural South to the urban North, the novel emulates the movement of the slave narratives, autobiographies written by formerly enslaved black Africans that trace their escape routes from bondage in the South to freedom in the North. One of the most famous slave narratives is Frederick Douglass’ autobiography, Narrative of the Life of Frederick Douglass, an American Slave, published in 1845. This fact is important to our understanding of Invisible Man, because Frederick Douglass (like the narrator’s grandfather) symbolizes the ghost of slavery alluded to at several critical points in the novel.

The narrator’s path also traces the path of thousands of Southern blacks who moved to the North ring the 1930s and 40s in search of better jobs and new opportunities ring the Great Migration.

Call and response—a concept rooted in the traditional Negro sermons in which the pastor’s impassioned call elicits an equally impassioned response from the congregation—is one of the defining elements of African American literature. With this in mind, Invisible Man can be read as a response to Langston Hughes’ poem, “Harlem,” which poses the question, “What happens to a dream deferred? . . . Does it explode?” According to Ellison, who also explores the myth of the American Dream, the answer is a resounding, “Yes!” In addition to Langston Hughes, the two authors who had the greatest influence on Ellison’s writing style were T. S. Eliot and Richard Wright. Ellison was especially intrigued with Eliot’s Wasteland, a poem that explores the spiritual wasteland of contemporary society, and with Wright’s acclaimed protest novel, Native Son, and his nonfiction work, 12 Million Black Voices, which Ellison felt was even more powerful than Native Son. Ellison was also influenced by H.G. Wells’ science fiction novel, The Invisible Man, and Richard Wright’s short story, “The Man Who Lived Underground.”

A complex, multi-layered novel, Invisible Man can be read as an allegory (a story with both a literal and symbolic meaning that can be read, understood, and interpreted at several levels) that traces the narrator’s perilous journey from innocence to experience, and from blind ignorance to enlightened awareness. Invisible Man can also be read as a quest narrative. Like Homer’s Odyssey and Dante’s Divine Comedy—both of which are alluded to in the novel—Invisible Man involves a symbolic journey to the underworld, where the narrator must meet and defeat various monsters—such as Brother Jack—and overcome seemingly impossible trials in order to return home.

Ellison’s use of inverted reality, creating a world that mirrors the reality of the white world, is a key structural element in Invisible Man. In the narrator’s world, black is white, up is down, light is darkness, and insanity is sanity. This structural device is used to illustrate that blacks, e to their perceived inferior status in American society, often experience a radically different reality than whites, creating the illusion that blacks and whites live in two different worlds. The white man’s American dream is the black man’s nightmare, and behavior deemed normal for whites is deemed abnormal (or crazy) for blacks. A key example is the novel’s closing scene: The narrator returns to his underground home, the basement (coal cellar) of a whites-only apartment building. Although this can be viewed as a physical move down into darkness and despair, in the narrator’s inverted reality, his return to his underground habitat illustrates a psychological move up towards awareness and enlightenment.

Unlike conventional novels that present a series of related sequential events, Invisible Man consists of a series of seemingly unrelated scenes or episodes—often expressed in the form of stories or sermons—linked only by the narrator’s comments and observations. In this way, the structure of the novel mirrors the structure of a jazz composition, players stepping forward to perform their impromptu solos, then stepping back to rejoin their group.

The structure also emulates the oral tradition of preliterate societies. Passed down orally from generation to generation, their stories embodied a people’s culture and history. In the novel, each character’s story can be viewed as a lesson that contributes to the narrator’s growth and awareness, bringing him closer to an understanding of his own people’s culture and history.

这里是我为你找好的主人公简介:
Invisible Man features a long and complex cast of colorful characters the narrator meets on his quest for meaning and identity who function on both a literal and symbolic level. Many are simply ordinary, everyday people living ordinary, everyday lives. Because their significance depends solely on how the narrator chooses to see them, none can be clearly designated as major or minor characters.

Following are brief descriptions of the key characters, listed in order of their appearance in the novel.

The South (Greenwood, South Carolina)

The narrator (the “Invisible Man”) A misguided, mis-ecated young man whose quest for meaning and identity as a black man in white America leads him into numerous dangerous situations. Although he undoubtedly has a name, he remains nameless and “invisible” throughout the novel.

The grandfather The narrator’s ancestor and spiritual guide whose deathbed revelation haunts the narrator throughout the novel and serves as a catalyst for his quest. He appears in the novel only through the narrator’s memories.

The school superintendent The nameless white man who invites the narrator to give his high school graation speech at the smoker, where he acts as master of ceremonies. After tricking him into participating in the battle royal, he rewards him with a calfskin briefcase and “a scholarship to the state college for Negroes.”

Jackson The most brutal, sadistic white man at the battle royal. Jackson’s overt racism and vicious—albeit thwarted—attack on the narrator foreshadows Brother Jack’s covert racism and equally vicious attack on the narrator’s psyche.

Tatlock The largest of the ten black boys forced to participate in the battle royal. Tatlock and the narrator are final contestants in the bloody boxing match, which results in a temporary deadlock. In the end, Tatlock defeats the narrator and proudly accepts his $10 prize.

Mr. Norton A white Northern liberal and multi-millionaire who provides financial support for Dr. Bledsoe’s college. A “smoker of cigars [and] teller of polite Negro stories,” Mr. Norton is a covert racist who hides his true feelings behind a mask of philanthropy.

The Founder Modeled after Booker T. Washington, founder of Alabama’s Tuskegee Institute, the Founder exemplifies the black American who rose “up from slavery” to achieve the American Dream. Although he does not appear in the novel, the Founder (like the grandfather) exerts a powerful influence on the narrator.

Dr. A. Hebert Bledsoe Known to his students as “Old Buckethead” because of his fondness for reciting the Founder’s famous speech on service and humility (“Cast Down Your Bucket”), Dr. Bledsoe is the president of the black college established by the Founder. Entrusted to fulfill the legacy of the Founder’s dream, Dr. Bledsoe destroys the dream to promote his own selfish interests.

Rev. Homer A. Barbee The blind Southern preacher from Chicago who visits the campus to deliver a moving sermon about the Founder’s life and death. Like his namesake (the blind poet Homer, author of The Odyssey and The Iliad), Reverend Barbee is a powerful orator and storyteller.

Jim Trueblood Although readers may tend to think of him primarily as the sharecropper who has sex with his teenage daughter, Jim Trueblood is the only true “brother” (“blood”) in the novel: He accepts full responsibility for his behavior, makes peace with his God, and fights for himself, his family, and his land.

Kate and Matty Lou Jim Trueblood’s wife and daughter, respectively.

Mr. and Mrs. Broadnax (Broad-in-Acts) The white couple who appear in Jim Trueblood’s dream. Mr. Broadnax, like Mr. Norton, is a racist who hides behind a mask of philanthropy.

The vet One of the shellshocked veterans at the Golden Day tavern. Because of his candid speech, his brutal honesty, and his refusal to act subservient toward whites, he is considered dangerous and hastily transferred to St. Elizabeth’s Hospital, a mental institution in Washington, D.C.

Supercargo The warden/attendant who transports the veterans from the hospital to the Golden Day once a week. The veterans hate him because he represents the white power structure.

Big Halley The bartender at the Golden Day. Although Supercargo is officially charged with keeping order at the Golden Day, it is Big Halley who ultimately maintains control. He has his finger on the pulse of the black community.

Burnside and Sylvester Veterans at the Golden Day. Burnside is a former doctor. Sylvester leads the vicious attack on Supercargo.

Edna, Hester, and Charlene Black prostitutes at the Golden Day. Edna harbors sexual fantasies about white men and playfully propositions Mr. Norton.

Crenshaw The attendant who accompanies the vet to St. Elizabeth’s Hospital.

5. 有一本书，是外国的科幻小说，叫《隐身人》，是谁写的

《隐身人》描写了一个青年物理学家格里芬发明了隐身术之后的悲惨场景。格里芬是一个痴迷于光学研究的狂热的天才物理学家，他认为如果人的细胞成为透明体，人就可以隐身，而隐身将能带给他神秘、权利、自由等诸多好处，于是他便在想获得各种好处的野心的驱使下变得日益狂躁不安。他的实验开始时，由于缺乏资金，便去抢他父亲为他人保存的钱，致使其父亲为此而自杀。
赫·乔·威尔斯（H.G.Wells）（1866-1946），英国小说家、社会学家、历史学家，他先在伦敦皇家学院师从赫胥黎学习生物学，后于1888年毕业于伦敦大学。1895年出版的科幻小说《时间机器》使他一举成名。他是继儒勒。凡尔纳之后最杰出的科幻作家。代表作有《时间机器》《隐身人》《星球大战》等。

6. 《隐身人》 简介

威尔斯的科幻小说《隐身人》讲述的是一个神秘的陌生人寒冬季节来到避暑胜地伊宾村的旅馆住宿发生的故事。他的穿着打扮非常古怪，像包粽子似的把全身裹得严严实 实，只留着一个粉红的鼻子在外头。他的行为更是诡异，白天他待在屋里一刻也不出来，用无数的瓶子做实验；傍晚的时候，他走出门去，像幽灵一般在偏僻的小路上散步。后来，村子里接连发生了好几件怪事，牧师家里的钱突然不翼而飞了；同一时间，老板发现陌生人不在旅馆里；陌生人房里的东西可以满屋子乱飞等等。神秘的隐身人终于暴露了自己的身份，原来他是……这部小说情节紧凑，语言动作性强，故事扣人心弦。作者通过写隐身人这个题材，不是表现对科学发展的乐观预期，而是反思科学奇迹下的痛苦、狂喜与无能为力感。

7. 求一部美国科幻电影，关于隐身人的。

就叫《透明人》拍摄得很精彩的一部科幻片！不过后来还有一部续集，明显不如前一集精致！

8. 外国 隐身人 小说

铁血战士

阿诺斯瓦辛格主演的！

9. 谁有英国威尔斯的《隐身人》英文版简介及主人公简介

英文版简介:The Invisible Man

Real Name: Griffin (no first name is given in the original story, but see comments)

Identity/Class: Human mutate

Occupation: Scientist

Affiliations: Thomas Marvel

Enemies: Teddy Henfrey, Dr.Kemp, Bobby Jaffers, Colonel Adye

Known Relatives: Unnamed father

Aliases: The Voice, Invisible Man the First, the Unseen

Base of Operations: Sussex

First Appearance: The Invisible Man (novel, 1897)

Powers/Abilities: Permanently invisible, although this didn't extend to his clothing, so that if he wanted to make use of his abilities, he had to do so naked. Likewise any food ingested remains visible, at least until properly digested. He is also extremely strong, though it is unclear as to whether this is a side-effect of the invisibility process, or a result of his growing madness.

History: Born an albino, John Griffin was a scientist, a graate of University College who had won a medal for chemistry. However he became fascinated by physics, and in particular light and optical density, and at the age of twenty-two he dropped medicine to concentrate on these new obsessions. He went to work for Professor Oliver at Chesilstowe College, a provincial establishment, all the while working at night on his theories. After six years he eventually figured a method which would allow him "to lower the refractive index of a substance, solid or liquid, to that of air" "without changing any other property of matter". He realised he could apply it to human tissue to turn the red colouring in blood white, without affecting its function - and since this would leave the only colouration in the body the skin pigmentation (which he personally lacked), he now had the means to become invisible. Deciding he could never finish his work with both his professor and students eating up his time, he moved to London and took up residence in Great Portland Street. After three more years his funds had run out, so he stole more money from his own father - but the money didn't belong to his parent, who shot himself in shame.

Believing his process finally perfected, Griffin tested it on a cat, turning all but its eyes transparent. Next he used the process on himself, and when his landlord proved too inquisitive, Griffin set fire to the house and fled into the night. Griffin swiftly his change was irreversible. Disguising his affliction with bandages, he moved to Iping, a small village in Sussex, where he took up residence in Mrs.Hall's boarding house. When money ran short, he used his powers to turn to burglary again, which attracted the attention of local police officer Mr.Bobby Jaffers. Confronted in the Coach and Horses public house, a scuffle ensued, ring which his secret was uncovered (quite literally). Griffin fled into the night.

Naked and hunted, he enlisted the aid of tramp Mr.Thomas Marvel, who he sent to retrieve clothes and his notebooks. When some of the villagers attempted to detain Marvel, the Invisible Man displayed a violent side, coming to his ally's aid with an unmatched fury. Afterwards he berated Marvel, making it clear that if Marvel failed him again, or attempted to flee, then he would die. In spite of this dire warning, Marvel did eventually flee, realising the Invisible Man's psychosis was growing. The Invisible Man soon caught up with Marvel in the town of Port Burdock, and beat him within an inch of his life before witnesses intervened, one of whom managed to shoot Griffin, winging him.

The wounded Invisible Man stumbled into the house of Dr.Kemp, who by chance he knew as a fellow alumni of University College. He appealed to Kemp for aid, who acquiesced. However it soon became clear to Kemp that Griffin was becoming increasingly insane. He told Kemp of his origins, and his plan to use his invisibility to engage in a "Reign of Terror", using fear of his unseen approach and the threat of invisible murder to take control of a town of his choice. But Kemp had sent a message to Colonel Adye, the chief of the Burdock police, who arrived in time to save Kemp from murder at the hands of his guest. Kemp told Adye how to hunt his prey, with dogs and with powdered glass on the roads to cut his feet. Hunted and pursued, the fugitive apparently committed his first deliberate murder, slaying Mr. Wicksteed on the edge of a gravel pit.

Emboldened by this, Griffin sent a letter to Kemp, declaring himself the new ruler of the area, Invisible Man the First, and stating that he would make an example of Kemp by killing him to prove that none could stand against him. Even though the police immediately put Kemp under guard, the Invisible Man got passed them, murdering Adye with his own revolver in the process. Kemp fled the house, with Griffin in close pursuit. The tables turned when Kemp ran into a group of navvies, who managed to trap their unseen opponent, and beat him to death. With his demise, Griffin once again became visible.

Comments: Created by H.G.Wells.

The Invisible Man described himself thus to Dr.Kemp, while attempting to jog his fellow student's memory - “Griffin,” answered the Voice—“a younger student, almost an albino, six feet high, and broad, with a pink and white face and red eyes—who won the medal for chemistry.”

H.G.Wells' Invisible Man has become one of the standard "monsters" of Hollywood, and inspired a slew of imitators. He first made it into film with the 1933, when Claude Rains played "Jack Griffin" in Universal Studios proction of the book. In 1940 Vincent Price played the second Invisible Man, Geoffrey Radcliffe, in the sequel "The Invisible Man Returns". Radcliffe was turned invisible by "Frank Griffin", the heretofore unmentioned brother of the original scientist. 1951 saw the third in Universal's series, when detectives Bud Alexander and Lou Francis (comedians Abbot and Costello) give an invisibility injection to boxer Tommy Nelson (Arthur Franz) who has been wrongly accused of murder, "Abbot and Costello Meet The Invisible Man" (the comedy o had briefly encountered the Vincent Price Invisible Man at the end of their 1948 feature, "Abbot and Costello Meet Frankenstein", when he made a cameo "appearance").

In 1984 the BBC made a six part serial adapting the story, with Pip Donaghy as Griffin. The same year a Russian adaption, "Chelovek-nevidimka", was also released. In 1998 it was Kyle MacLachlan's turn in the part (again given the full name Jack Griffin), in a U.S. TV movie version of Well's tale. There have also been innumerable other Invisible Men, inspired by this tale, but not directly connected to him (see the clarifications for some examples).

The character was recently revived as a member of Alan Moore's League of Extraordinary Gentlemen, and made it into the movie adaption of same. The comic version is the same Griffin from the novel, who faked his death by putting another through the process, then sending this unwitting pe to meet the mob. The movie version is a thief who stole Griffin's formula.

In comics, Acclaim released "Classics Illustrated: The Invisible Man" in 1997, and in 2002 Moonstone Publishing released a sequel, "Legacy of the Invisible Man". Griffin was also name-checked in Dark Horse Comics' "Van Helsing: From Beneath the Rue Morgue", a tie-in with the Van Helsing movie, where the monster hunter discovers that Dr.Moreau has been experimenting on his beast men using Griffin's invisibility notes.

CLARIFICATIONS: He is meant to be the same character as

The Invisible Man of the League of Extraordinary Gentlemen

but should not to be confused with

Invisible Man, Daniel Westin

Invisible Man, Darien Fawkes

Gemini Man, invisible secret agent

The Hollow Man, another invisible scientist who went psychotic

any other many other "Invisible" people

主人公简介:
The Invisible Man is not to be confused with Invisible Man, which is an entirely different book. The Invisible Man was written by H. G. Wells, not to be confused with Orson Wells who is an entirely different person.

Anyone who has only seen the movie and not actually read the book does not realize that the Invisible man has albinism. The lead character, a physicist by the name of Griffon, describes himself as having white hair and red eyes. Yet, for some reason, in the same breath he describes himself as almost albino. Could our mad scientist be in denial?

Albinism plays a key role in this book. Griffon has discovered that the only things he can turn invisible are things without pigment. He manages to transform a white piece of cloth, a white pillow, a white cat (except for its eyes), and himself. Pigment and melanin, because of its very nature could not be made devoid of its color properties. Once finding out how to render blood transparent, Griffon finds it easy to make everything else in the body vanish.

Griffon, experimenting on himself has neglected to think about how he was going to return to normal. He eventually becomes a pitiful haunted creature, on the run lest he be captured and made into a circus freak. He is unable to wear cloths (he would be seen), has to steal food and money and becomes unable or unwilling to control his rages. He winds up at the house of an old friend with the last name of Kemp, who, although the book does not use the word, (albino) also has albinistic characteristics. Griffon winds up chasing his friend Kemp with the intent to kill him.

So. Here is the scene at the end of the book. These two people with albinism are running down a road. One visible and able to live a normal life, one invisible: one raging and fearless, one fearful: one pursuing, one pursued: one clothed, one naked: one loved and respected in the community, one feared and hunted by everyone, you get the picture.

Griffon dies at the end. For some unexplained reason he begins to re-appear upon his death.

There are several glaring discrepancies and overlooked things in the book, such as: Why didn’t he make invisible cloths out of the invisible cloth? But we can forgive Mr. Wells. He has, after all, written some of the best known si-fi stories of all time.

I find it interesting that the lead character is named Griffon. I’m sure it has some meaning. A griffon is a hybrid animal part lion and part eagle. Perhaps this is a symbol of the al nature of man. The lion and eagle (cat and bird) are natural enemies. You would think they would not get along very well. But in the case of a griffon you have a unique combo creature that has to learn to deal with its al and contrary nature.

Read the book ant tell me what your thoughts may be.

10. 求Ralph Ellison 的小说invisible man（隐身人/隐形人/看不见的人）中文版。急。谢谢！

夏洛特的网