简单的英语科幻小说

❶ 适合初学者看的英文小说

一、Charlie and the Chocolate Factory《查理和他的克工厂》

一本有趣好看而充满想象力的童话小说，讲述了穷孩子查理幸运拿到可以进入巧克力工厂参观的金券后，一系列的奇遇。 在书中可以看到，小查理和他的家里人过的生活虽然贫穷，可他们深深地懂得爱，这维持了他们除生活外的一切满足感，看完如果意犹未尽，还可以看看同名电影。

二、The wonderful wizard of Oz《绿野仙踪》

故事讲述了小萝莉多萝西被大风吹到一个奇异国度(奥兹国)的奇遇记。这个可爱的小故事里有一个善良的小萝莉，一个稻草人，一个铁皮机器人与一个狮子。短小精悍，没什么难度，易读易懂，却又引人入胜。

三、Flipped《怦然心动》

这本便是同名电影的原著小说，它讲述了一个单纯美好的故事，里面有美好的田园风光和校园生活，还有属于布莱斯和朱莉的故事。小说要比电影有意思很多，相信你看的时候一定会笑出声来。叙述以男孩和女孩视角的章节交错进行，画面感很强。

四、Hyperbole and a Half- Allie Brosh我幼稚的时候好有范

比尔盖茨2015年的推荐书单里就有这本奇特的小书，他说道：你会希望小说更长，因为这些故事很有趣，很睿智。它故事短小，画风奇特，非常适合于碎片时间阅读。

五、The little word of Liz Climo你今天真好看

这本画风萌系、温暖的治愈系，收录了莉兹克里莫150多张逗趣漫画和小说情节。画中的故事简单却动人，围绕着各种萌萌的小动物展开，有兔子，蜥蜴，棕熊，企鹅等。简短有趣的句子配上可爱清新的漫画，很快就可以看完。

❷ 名胜,科幻小说,用英语怎么说急急急!!!!!!!!!

名胜
key point of interest / place of interest / a place of interest / sights / scenic spot

科幻小说 science fiction / sci-fi

❸ 求一些中短篇英文原版科幻奇幻小说

我有《趁生命气息逗留》

和拉玛系列之二《拉玛2号》英文原版的要不要？中篇！！

已发，求采纳！！

❹ 有哪些简单的英语小说

The Wizard of Oz（绿野仙踪）强烈推荐这本！
Tuesdays with Morrie.
the old man and the sea（有点短- -）
= =只记得这些了，还有些名字忘了....
你先看看上面三本吧。

另外，其实我不建议去看一些原著导读版，还有一些古典名著也别读了，包含了很多古英语什么的。
初读的话也不要选那种很厚的书，200多页以内差不多了。
另外，要是不讨厌童书的话，英文童书其实是很不错的选择。
要是不喜欢童话，去看一些近代的青少年读物，例如冰与火之歌，哈利波特，the kite runner什么的。
总之关键是读下去！找一本生词量不大的！

❺ 最短的科幻小说英文是什么

当年流传一个世界上最短的科幻小说：
地球上最后一个人坐在房间里.这时响起了敲门声.....
呵呵，现在应该变变了，世界上最短的科幻小说：超人归来！
嘿嘿，也许还有更短的：我是神!
还有更短的不？

❻ 求200词左右的英文科幻小说

我自己写得哦~~~(感觉不是很好,有什么错误麻烦告诉我哦~)

Science fiction story
AD 3,000
A group of scientists(including me) went to the bottom of the sea,some aliens are living there,they may cause a world war because they can take control of water.This time,we want to talk with them.

With the help of the sea-spaceship,we got the destination easily.To my surprise,this is a wonderful undersea world,beautiful fishes,and green coral reef which can make people feel great.

We didn't forget why we came here,but we saw no alien.Suddenly a huge screen was presented before us.It was playing a tsunami around India,and some wars around the world.Yes,this is our true life,I realized something,and turned around,a alien was looking us.Then,it began to say,"Human beings,you've made a lot trouble to the
earth,e.g. The wars,the pollution,the experiment,etc.Now,we use the water to give you a tsunami,this is only a lesson for you.If you do this continuously,you will be punished!"

We were back to the ground,everything seemed peaceful,we knew what we should do.

❼ 世界上最短的科幻小说的英文版

美国近代著名科幻小说家弗里蒂克·布朗曾写过一篇世界上最短的科幻小说。仅仅只有一句话:"地球上最后一个人独自坐在房间里,这时,忽然响起了敲门声……"

❽ 推荐几本简单的英文小说

高中啊。我刚刚大一呵呵。不同高中生水平不同啊。高中有同学看得懂哈利波特了都我只看得懂书虫系列的那些书。你可以试试书虫那一系列哦。不难都是中长篇英文小说，高中不适合看原著，一些作者的字里行间深意理解不了。可以看下织工马男这类的。
以上求分。以下为缅怀高中之忠告。好好学英语吧。在小学英语是兴趣，中学它是主科，大学它是命。。。。学弟好好学习，祝你学习进步，早日。。。。逃离高中苦海。。。呵呵O(∩_∩)O。

❾ 世界上最短的英文科幻小说

就25汉字 自己翻译下吧

25字科幻小说

美国近代著名科幻小说家弗里蒂克·布朗曾写过一篇就目前来说，堪为世界上最短的科幻小说。把它译成现代汉语恰好是25个字，仅仅只有一句话：

地球上最后一个人独自坐在房间里，这时，忽然响起了敲门声……

尽管只有一句话，但它同样具备了小说的特点。就小说的三要素而言，有人物（一个人）、有情节（一个人独坐，听到敲门声）、有环境（仅有一人的地球上的某房间里）。科幻，重在科学幻想，其最为显著的特征就是：擅长夸张、制造悬念，给读者设置自由而广阔的联想、想象等思维空间。这25个字促使读者追究、探求的问题太多了——

地球上怎么会只剩下一个人？其他人都到哪里去了？是去往别的星球还是都死了？如果死了是因为什么而死的？既然地球上仅剩一个人，那么敲门的又是谁呢？是人类，是外星人，还是其它高智能的动物？这最后一个人是否去开门？开门后将看到什么？如果是外星人，他们能够通过语言来沟通彼此的情感吗？……最后故事又将会怎样发展？……总之，将会使每个读者都产生多维而丰富的联想和想象，有一百个读者，就会有一百个关于“地球上最后一个人”的故事。

❿ 求一篇1500词左右的英文科幻小说

Though this is a relatively short collection of stories, the strength of the tales inside it is such that they will leave the reader with flashbacks and images for days afterwards. They did me. In fact, days after reading I still remember vividly parts of its contents.

The fourteen stories included vary in scope, size and length. The book starts strongly with 态est New Horror?/I>, which deals with the premise of Eddie Carroll, a jaded horror story editor who is sent a story so memorable that it jolts him out of his malaise. The problem is that the story, 态uttonboy?/I>, is so horrific that many are sickened by it. Nevertheless, the editor sets off to find the mysterious writer, Peter Kilrue, and the story ends with something not expected. This was a very strong tale ?filmic, for reasons that are best left until you抳e read the story, and references that a fan will get.

Reminiscent in tone of Bradbury and Serling, and another famous author more contemporary, this is a collection marinated in genre and societal references; the societal references help create that feeling of normality in stories that are anything but; the genre references, which though not necessarily important to get to enjoy the stories, add another dimension to their narrative.

Fritz Leiber once pointed out that the scary things are not always gothic castles and ghostly spectres, but the unusual things that are part of our normal everyday world. This is something that Joe has clearly understood here. Part Horror, part 1950抯 SF B-movie, part surreal fantasy, the collection covers a broad range with skill, humour and, hell, an empathy for the genre抯 long history.

There are common themes throughout the book. Most of the stories are interwoven around familial relationships?the bonds between mothers/fathers and their daughters/sons - and peer friendships, between the main character and their friends.

With such a variety of interests, not all of the stories worked for me as well as others. Least successful, though still pretty good, was You Will Hear the Locust Sing, a story with a Bradbury-esque title that clearly highlights a respect for the 1950抯 B-Movies of mutant insects. Though initially amusing, by the end it was a little disappointing. Similarly, The Black Phone was a little creepy, though a weaker effort in such a strong collection. With a Weird Tales type ending that Richard Matheson would be proud of, though strong in feel, this one seemed a little too obvious to me.

My 'weirdness award' goes to My Father抯 Mask, which I抦 not sure I still understand, though it is very unsettling to read. Rather Wicker Man to me.

Having said this, most of the stories are very strong. Most successful to me were Voluntary Committal, (the final novella in the book which sympathetically deals with Nolan Lerner抯 brother, Norris, a boy with Aspberger抯 Syndrome, who has a connection with The Twilight Zone), and in a Tales from the Crypt-type tale, Last Breath, which deals with a visit to a very unusual museum. I also really enjoyed The Cape, a story about Eric抯 particular piece of clothing with a special power (or is it just self-belief?)

There are many stories like that in this book. It is a book that reads with deceptive ease, yet is supremely adept at creating ghosts. To illustrate this, Dead-Wood is a story that, in a page-and-a-half, creates an intriguing 憌hat-if?that is simultaneously beautiful, creepy, and haunting.

All good; but perhaps the biggest surprise to me was the story Pop Art, which deals with the story抯 nameless central character and his relationship with his inflatable schoolfriend, Arthur Roth. (Pop Art, get it?) On first reading, the story reads as allegorical whimsy. It takes a writer of skill, which Hill clearly is, to turn that around so that the end of the story is a powerfully moving one. Forget the practical impossibility here ?Joe makes the reader forget the impracticality to create this story with an ending that is almost painful to read.

To summarise, in this book Hill manages to combine hometown dreams and ambitions with the reality of failure, pathos, horror, humour and B-movie kitsch; all of which is achieved with surprising aplomb and an ease and skill that belies this being just labelled as 'an author抯 first book'.

Let's go further than that. Many other long-published authors would kill to be as good as just one of these stories ?it抯 that good. And one of the best story collections I抳e read in years.

Haunting, resonant, melancholic ?a collection that richly deserves its awards.

Hobbit, October 2006